Noam Lemish has never felt inclined to pick a lane. Maybe his multi-local identity has helped inspire his multiplicity and general disinclination to follow stylistic guidelines. Whatever the reason, over the course of two decades of intensive musical study and creation he’s always sought to expand the scope of his exploration, often blurring or ignoring deeply etched boundaries between genres, peoples, and traditions. He’s a jazz artist and a classical composer of chamber works, an improviser and an accompanist, an intrepid cross-cultural investigator and an interpreter of contemporary composition.
