Where Jazz Lives
THE BEST of JAZZ & Blues this month
Upcoming events
Interested in performing at The Rex?
Email info@therex.ca
Swing Shift Big Band
Swing Shift Big Band
March 7 @ 2:00 PM
Led by Jim Johns
No Reservations
Pay What You Can
Jim John's Swing Shift Big Band. From the band’s beginning in 1996 it became apparent that this was a band intent on preserving the sounds and quality of the big band era - a band that has since been recognized as one of the top big bands in the country. With 17 talented musicians, male and female vocalists and optional dancers and female vocal trio, this band can entertain audiences of all ages. From dances, corporate galas, and jazz festivals to weddings, theatre shows and everything in-between, Swing Shift has the variety to suit any occasion. We can also provide smaller groups, ranging from solo piano, trio, quartet and right up to our very popular 11 piece group - a versatile band that specializes in music for all ages.
Bandleader Jim John has over twenty years of leadership experience - he knows how to make your event a big success!!
Lauren Falls Quintet
Lauren Falls Quintet
March 4, 5, 6, 7 @ 8:00 PM
David French - Tenor Saxophone
Todd Pentney - Piano
Trevor Giancola - Guitar
Trevor Falls - Drums
Lauren Falls - Bass
Lauren Falls is a sought-after bassist, composer, and bandleader who over the last decade has been making her mark both on the Toronto and New York jazz scenes. Ms. Falls has an undeniably strong command of the bass and is in demand both as a sidewoman and bandleader. As a composer and arranger, she creates music that is melodically enticing and harmonically entrancing. Her compositions stem from the jazz tradition with modern elements of rock, pop, and folk woven throughout. Her recent record release, “A Little Louder Now,” was nominated for a Juno Award.
Lauren has toured North America and Europe with performances at the Kennedy Center and at jazz festivals including The Mary Lous Williams Jazz Festival in Washington DC, Ottawa International Jazz Festival, and Toronto Jazz Festival to name a few. You will find her in Toronto at venues such as The Rex, The Jazz Bistro, Lula Lounge, and in New York at venues such as Dizzy’s Club Coca-Cola, Smalls, and 55 Bar. Recently Lauren performed as part of Jake Epstein’s Mirvish production “Boy Falls From The Sky,” which was nominated for Six Dora Awards.
In 2020, Ms. Falls was a finalist for the Toronto Arts Council Emerging Artist Award and has been the recipient of multiple Canada Council Grants. She has been an artist-in-residence at The Betty Carter Jazz Ahead program and The Ravinia Steans Institute. She holds a Master's Degree from the Manhattan School of Music and a Bachelor's Degree from Humber College. Lauren is currently on faculty at Humber College.
Josh Cohen Trio
Josh Cohen Trio
March 7 @ 11:00 PM
Josh Cohen - Bass
Lucian Gray - Guitar
Mateo Mancuso - Drums
No Reservations
Pay What You Can
The Josh Cohen Trio blends classic straight-ahead jazz with a modern edge, driven in part by Cohen’s distinctive voice on 6-string electric bass. Joined by guitarist Lucian Gray and drummer Mateo Mancuso, the trio explores bebop, hard bop, and American Songbook repertoire with deep swing, tight interplay, and adventurous improvisation. Cohen’s extended-range bass adds a contemporary twist to the classic trio format, allowing the group to move fluidly between traditional textures and fresh, modern colors.
Global Jazz Sundays : Los Variants
Los Variants
March 8 @ 2:00 pm
Vince Maccarone - Drums
Suba Sankaran / Dylan Bell - Keys
Michael Occhipinti - Guitar
Onathan Amador - Bass
Luisito Orbegoso - Percussion
No Reservations
Pay What You Can
Los Variants is the brainchild of Vince Maccarone. Vince’s vision is based on celebrating diversity by bending some of the rules of staying in one genre. This 6-piece super band uses versatile musicians that deliver a spectacular performance and explore the connections between their collective musical and cultural backgrounds to create a seamless mosaic of international groove.
Los Variants’ core personnel is made up of some of Canada’s top musicians featuring vocal powerhouses Suba Sankaran and Dylan Bell (also on keys) Michael Occhipinti on guitars, Jonathan Amador on bass, Luisito Orbegoso on percussion and Vince Maccarone on drums and percussion. Tour guests may include: Luis Simao on accordion, Kevin Turcotte or Andrew McAnsh on trumpet, Fethi Nadjem on violin and Maryem Hassan Tollar on vocals.
The band takes the audience on a musical journey around the world highlighting the band members’ origins and cultures while maintaining a common thread in jazz and roots music. Flamenco, Middle Eastern groove, Caribbean rhythms are all found in a Los Variants performance.
The 2023 Touring Series will be a Global Musical Experience. Drawing from the release of the 1st Los Variants CD, – “jass/blues” and from the latest CD “O Passeio”. This CD features Afrofunk, reggae, jazz, blues and a raucous New Orleans jazz funk number.
Collectively the members of Vince Maccarone’s Los Variants have won and been nominated for many JUNOS, DORAs and other awards and will be bringing all of their rich musical history to Festivals in 2022.
Be prepared to move and groove at a Los Variants show!
Andrew Boniwell
Andrew Boniwell
March 8 & 9 @ 8:00 PM
Andrew Boniwell -Piano
Band - TBA
Andrew has been a professional piano player on the Toronto jazz scene since 1980. A frequent participant in the Downtown Toronto Jazz Festival he has also appeared at the Distillery Jazz Festival, JVC Jazz Festival, Guelph Jazz Festival and the Barrie Jazz Festival. Andrew has performed with the Juno award-winning contemporary jazz orchestra NOJO, and plays with many of Toronto's finest jazz musicians including Richard Underhill (JUNO winner 2003), Mike Murley (multiple JUNO winner), Kevin Turcotte, Michael Occhipinti (NOJO), Barry Romberg and Quinsin Nachoff (now based in NYC).
Andrew newest project is his quintet, Andrew Boniwell and The Uncertainty Principle. His first CD with this unit, Boomerang was released in 2011. It features finely crafted and groovy compositions with a varied rhythmic palette and a front line of Richard Underhill (alto sax) and Kevin Turcotte (trumpet).
Andrew’s previous CD, StopStart also on Soundcolour Records (1999), features The Andrew Boniwell Quartet playing his compositions. Reviewers found the quartet’s exploration of texture, dynamics and harmony "innovative" (Ottawa Citizen) and "adventurous" (Toronto Star) while the quartet's playing was described as "letting the music flow out of their veins" (Coda Magazine).
University of Toronto Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
Andrew Boniwell
Andrew Boniwell
March 8 & 9 @ 8:00 PM
Andrew Boniwell -Piano
Band - TBA
Andrew has been a professional piano player on the Toronto jazz scene since 1980. A frequent participant in the Downtown Toronto Jazz Festival he has also appeared at the Distillery Jazz Festival, JVC Jazz Festival, Guelph Jazz Festival and the Barrie Jazz Festival. Andrew has performed with the Juno award-winning contemporary jazz orchestra NOJO, and plays with many of Toronto's finest jazz musicians including Richard Underhill (JUNO winner 2003), Mike Murley (multiple JUNO winner), Kevin Turcotte, Michael Occhipinti (NOJO), Barry Romberg and Quinsin Nachoff (now based in NYC).
Andrew newest project is his quintet, Andrew Boniwell and The Uncertainty Principle. His first CD with this unit, Boomerang was released in 2011. It features finely crafted and groovy compositions with a varied rhythmic palette and a front line of Richard Underhill (alto sax) and Kevin Turcotte (trumpet).
Andrew’s previous CD, StopStart also on Soundcolour Records (1999), features The Andrew Boniwell Quartet playing his compositions. Reviewers found the quartet’s exploration of texture, dynamics and harmony "innovative" (Ottawa Citizen) and "adventurous" (Toronto Star) while the quartet's playing was described as "letting the music flow out of their veins" (Coda Magazine).
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris Gale
march 3, 10, 17, 24, 31 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
Mark Eisenman
Mark Eisenman
March 11, 12, 13, 14 @ 8:00 PM
Mark Eisenman - Piano
Band - TBA
Mark Eisenman is one among a handful of the top ‘in-demand’ jazz pianists in Toronto. Born in New York City but based in Toronto since 1972, Mark started studying the piano with his father. By the age of eighteen he had resolved that he would be pursuing the piano as a career interest. He entered into the music program at York University and after a short time discovered jazz music. With his introduction to this idiom his musical interest peaked.
Under the tutelage of John Gittins and others Mark ultimately took a degree in Fine Arts, and as testimony to his continuing dedication to the learning process, currently conducts jazz workshops at York as a part-time faculty member. His teaching has expanded to include “The Jazz Camp”, classes at Mohawk College in Hamilton plus private teaching in his home studio.
Mark has performed and toured with numerous eminent jazz artists including the following: Blue Mitchell, Woody Shaw, Nat Adderley, Ed Bickert, Rob McConnell, Sam Noto and Pat LaBarbera. He is heard frequently on the radio, including regular appearances on CBC’s Sunday Edition with Michael Enright, and is well represented on recordings. His most recent CD “Sweet and Lovely” features legendary drummer Jimmy Cobb and bassist Pat Collins.
In addition to being a pianist of great clarity and discipline, Mark has been developing his compositional skills. His tunes appear on recordings by a variety of groups.
"His professional status is based largely on his skill and versatility as an ensemble player, but what marks him most is an ability to produce, no matter what the musical company, distinctive well-structured solos" (Toronto Star).
In Mark's own words, what is most rewarding to him as a performer is the sense that "...everyone is having a good time because that means the music is good". With an outlook such as this, it should come as no surprise that he frequently works Toronto's major jazz spots. He is a skillful soloist, a versatile ensemble player and a thoughtful and sensitive accompanist. In 1999 Mark received The Jazz Report Award for “Acoustic Pianist of the Year”.
Mark Eisenman
Mark Eisenman
March 11, 12, 13, 14 @ 8:00 PM
Mark Eisenman - Piano
Band - TBA
Mark Eisenman is one among a handful of the top ‘in-demand’ jazz pianists in Toronto. Born in New York City but based in Toronto since 1972, Mark started studying the piano with his father. By the age of eighteen he had resolved that he would be pursuing the piano as a career interest. He entered into the music program at York University and after a short time discovered jazz music. With his introduction to this idiom his musical interest peaked.
Under the tutelage of John Gittins and others Mark ultimately took a degree in Fine Arts, and as testimony to his continuing dedication to the learning process, currently conducts jazz workshops at York as a part-time faculty member. His teaching has expanded to include “The Jazz Camp”, classes at Mohawk College in Hamilton plus private teaching in his home studio.
Mark has performed and toured with numerous eminent jazz artists including the following: Blue Mitchell, Woody Shaw, Nat Adderley, Ed Bickert, Rob McConnell, Sam Noto and Pat LaBarbera. He is heard frequently on the radio, including regular appearances on CBC’s Sunday Edition with Michael Enright, and is well represented on recordings. His most recent CD “Sweet and Lovely” features legendary drummer Jimmy Cobb and bassist Pat Collins.
In addition to being a pianist of great clarity and discipline, Mark has been developing his compositional skills. His tunes appear on recordings by a variety of groups.
"His professional status is based largely on his skill and versatility as an ensemble player, but what marks him most is an ability to produce, no matter what the musical company, distinctive well-structured solos" (Toronto Star).
In Mark's own words, what is most rewarding to him as a performer is the sense that "...everyone is having a good time because that means the music is good". With an outlook such as this, it should come as no surprise that he frequently works Toronto's major jazz spots. He is a skillful soloist, a versatile ensemble player and a thoughtful and sensitive accompanist. In 1999 Mark received The Jazz Report Award for “Acoustic Pianist of the Year”.
Mark Eisenman
Mark Eisenman
March 11, 12, 13, 14 @ 8:00 PM
Mark Eisenman - Piano
Band - TBA
Mark Eisenman is one among a handful of the top ‘in-demand’ jazz pianists in Toronto. Born in New York City but based in Toronto since 1972, Mark started studying the piano with his father. By the age of eighteen he had resolved that he would be pursuing the piano as a career interest. He entered into the music program at York University and after a short time discovered jazz music. With his introduction to this idiom his musical interest peaked.
Under the tutelage of John Gittins and others Mark ultimately took a degree in Fine Arts, and as testimony to his continuing dedication to the learning process, currently conducts jazz workshops at York as a part-time faculty member. His teaching has expanded to include “The Jazz Camp”, classes at Mohawk College in Hamilton plus private teaching in his home studio.
Mark has performed and toured with numerous eminent jazz artists including the following: Blue Mitchell, Woody Shaw, Nat Adderley, Ed Bickert, Rob McConnell, Sam Noto and Pat LaBarbera. He is heard frequently on the radio, including regular appearances on CBC’s Sunday Edition with Michael Enright, and is well represented on recordings. His most recent CD “Sweet and Lovely” features legendary drummer Jimmy Cobb and bassist Pat Collins.
In addition to being a pianist of great clarity and discipline, Mark has been developing his compositional skills. His tunes appear on recordings by a variety of groups.
"His professional status is based largely on his skill and versatility as an ensemble player, but what marks him most is an ability to produce, no matter what the musical company, distinctive well-structured solos" (Toronto Star).
In Mark's own words, what is most rewarding to him as a performer is the sense that "...everyone is having a good time because that means the music is good". With an outlook such as this, it should come as no surprise that he frequently works Toronto's major jazz spots. He is a skillful soloist, a versatile ensemble player and a thoughtful and sensitive accompanist. In 1999 Mark received The Jazz Report Award for “Acoustic Pianist of the Year”.
Andy Scott
Andy Scott
March 13 @ 11:00 pm
Andy Scott - Guitar
Band - TBA
No Reservations
Pay What You Can
As a musician, writer, journalist, and arts educator, Andrew Scott’s work has impacted many aspects of the educational, and creative arts and culture space in Canada and beyond for nearly three decades.
A jazz guitarist, Andrew has worked as an in-demand side person, led his own bands with a focus on classic jazz repertoire, and performed and recorded with such musicians as Bernie Senensky, Dan Block, Harry Allen, Grant Stewart, Jim Clayton (The Clayton/Scott Group), Ben Paterson, Randy Sandke, and Jon-Erik Kellso for such labels as Cellar Live, Marshmallow, Boomtang, and Sackville Records.
Andrew has performed for members of the House of Lords, international dignitaries, and two former Canadian Prime Ministers.
His latest album, Horizon Song with Kelsley Grant, Amanda Tosoff, Neil Swainson, and Order of Canada winner Terry Clarke was released on Cellar Live records in 2024.
Andrew’s guitar playing and compositions are featured on saxophonist’s Alex Dean’s 2025 album Put it There by Bari-ed Alive (Sony/Cornerstone Records).
Andrew has committed himself to learning from the elders of this music and has enjoyed meaningful musical relationships with the late drummer Archie Alleyne—for whom he worked as side musician, music director of Alleyne’s Evolution of Jazz Ensemble, and co-composer of “Syncopation: Life in the Key of Black”—and the nonagenarian pianist Gene DiNovi, with whom Andrew has recorded three albums.
Andrew’s music has been heard internationally in film and television (“Pretend We’re Kissing,” “Once a Thief,” CBC’s “The Border” and “Kim’s Convenience”), and his writing about music has appeared in Downbeat Magazine, Wax Poetics, CODA (where he was the final Managing Editor), Jazz Research Journal, the Havurah Journal, We Jazz, the Humber Literary Review, the Journal of Popular Music Studies, and in more than one hundred sets of jazz liner notes.
In 2024, Andrew was the principal researcher, essayist, and Associate Producer of an archival release of a 1972 recording from the famed American jazz organist Jack McDuff.
Andrew has also worked as an independent juror and consultant for the Toronto Arts Foundation and as a public educator was an invited lecturer for the Hot Docs “Curious Minds” speaker series, where he presented a six-part series entitled “Nights to Remember: The Great Concerts,” and Anthems: Six Songs That Shaped the World We Live In) for The Speakers Annex in 2025.
Andrew is frequently called upon to speak to such media outlets as the Globe & Mail, Now Toronto, CTV, the Canadian Press and others on topical issues and various events in the world of music, arts, and culture.
His comedic writing regularly appears on such humour platforms as The Haven, The Daily Drunk, MuddyUm, and The Toronto Harold where it garners between multiple hundreds and more than 11K online views, and his poetry has been anthologized by Alien Buddha Press (Alien Buddha Zine #58, Alien Buddha Zine #66, the chapbook Resist the Zeitgeist and in the compilation publication Best of 2024).
Having earned his PhD from York University, Andrew has lectured at universities and conferences across North America (NYU, Kent State, McGill, York University, Western University, the University of Guelph) and has enjoyed a long professional relationship with Humber College, where he is a Professor and the Program Co-ordinator of the Bachelor of Music Program. In this capacity Andrew has taught, administered, advised, and mentored thousands of students.
Andrew was the former Associate Dean and Acting Dean of Humber’s School of Creative and Performing Arts, where he oversaw and administratively stewarded multiple music programs, as well as creative writing, arts administration, theatre, and comedy faculties.
At Humber, Andrew has been recognized for his professional efforts, earning the “Administrative Distinguished Service” Award for valued administrative leadership in 2021, and being named a “Champion of Equity, Diversity and Inclusion” for contributing to an environmental scan with the Humber EDI Taskforce in 2022.
As of 2025, Andrew has been involved with numerous research projects that have received nearly $1,000,000 of federal funding through SSHRC and other research granting bodies. Currently, Andrew is a part of a SSHRC Partnership Development project with the DeGroote School of Business at McMaster University entitled: “The show must go on: Supporting Canadian professional musicians” that examines employment issues surrounding professional musicians in Canada.
Andrew is the recipient of The Toronto Musician’s Association (Local 149) “Music Educator of the Year” (2024).
Mark Eisenman
Mark Eisenman
March 11, 12, 13, 14 @ 8:00 PM
Mark Eisenman - Piano
Band - TBA
Mark Eisenman is one among a handful of the top ‘in-demand’ jazz pianists in Toronto. Born in New York City but based in Toronto since 1972, Mark started studying the piano with his father. By the age of eighteen he had resolved that he would be pursuing the piano as a career interest. He entered into the music program at York University and after a short time discovered jazz music. With his introduction to this idiom his musical interest peaked.
Under the tutelage of John Gittins and others Mark ultimately took a degree in Fine Arts, and as testimony to his continuing dedication to the learning process, currently conducts jazz workshops at York as a part-time faculty member. His teaching has expanded to include “The Jazz Camp”, classes at Mohawk College in Hamilton plus private teaching in his home studio.
Mark has performed and toured with numerous eminent jazz artists including the following: Blue Mitchell, Woody Shaw, Nat Adderley, Ed Bickert, Rob McConnell, Sam Noto and Pat LaBarbera. He is heard frequently on the radio, including regular appearances on CBC’s Sunday Edition with Michael Enright, and is well represented on recordings. His most recent CD “Sweet and Lovely” features legendary drummer Jimmy Cobb and bassist Pat Collins.
In addition to being a pianist of great clarity and discipline, Mark has been developing his compositional skills. His tunes appear on recordings by a variety of groups.
"His professional status is based largely on his skill and versatility as an ensemble player, but what marks him most is an ability to produce, no matter what the musical company, distinctive well-structured solos" (Toronto Star).
In Mark's own words, what is most rewarding to him as a performer is the sense that "...everyone is having a good time because that means the music is good". With an outlook such as this, it should come as no surprise that he frequently works Toronto's major jazz spots. He is a skillful soloist, a versatile ensemble player and a thoughtful and sensitive accompanist. In 1999 Mark received The Jazz Report Award for “Acoustic Pianist of the Year”.
We3
We3
March 14 @ 11:00 PM
John Smiley - Piano
Bennett Young - Bass
Ilios Steryannis - Drums
No Reservations
Pay What You Can
Coming together under unusual circumstances, the members of piano trio We 3 found a common thread in their mutual appreciation for pianist Phineas Newborn. They quickly decided to add Newborn’s entire 1958 album We Three to their repertoire, a classic piano trio record that features Roy Haynes and Paul Chambers. Since then, Josh Smiley on piano, Bennett Young on bass and Ilios Steryannis on drums have added other composers to their playlist, including Oscar Pettiford, Benny Golson, and Thelonious Monk.
Global Jazz Sunday - The Robert Lee Group
The Robert Lee Group
March 15 @ 2:00 pm
Robert Lee - Upright Bass
Jacqueline Teh - Vocals
Dennis Kwok - Saxophone
Roa Lee - Gayageum
Jen Lo - Piano
Jay Yoo - Guitar
Andrew McCarthy - Drums
Guest: Sangah Lee
No Reservations
Pay What You Can
Robert Lee is an emerging upright bassist, composer, and bandleader in the Toronto jazz scene. His musical interest started with the violin before switching to the bass. He is a graduate from the University of Guelph and Humber College music programs. He obtained his Masters in Contemporary Performance from Berklee Valencia in 2021. Lee has had the opportunity to study with Neil Swainson, Ted Quinlan, Mike Downes, Geoff Young, Lorne Lofsky, Kieran Overs, Pat LaBarbera, Kirk MacDonald, Andrew Scott, Kevin Turcotte, Amanda Tosoff, Andrew McAnsh, Nick Mancini (Los Angeles), Perico Sambeat, Matt Baker, Magda Giannikou, and others.
He has performed at various venues and festivals across Ontario, including the Toronto Undergraduate Jazz Festival, the Guelph Jazz Festival, the Newmarket Music Festival, the Kensington Market Jazz Festival, Toronto Fringe Festival, MusicFest Canada, and the TD Toronto Jazz Festival.
In October 2023, Lee performed alongside the Seocho Philharmonia (Seoul, Korea) and the Glen Gould School Orchestra as part of the Korean War Memorial Concert at Koerner Hall (Toronto, CA), conducted by Jong Hoon Bae . He performed with world-renowned artists Sumi Jo (soprano), Jens Lindermann (trumpet), and Matt Catingub (piano).
He has been recognized for his compositional and arranging work, earning the Humber College Duke Ellington Society Scholarship in 2017 and 2018 as well as the James Appel School Creative and Performing Arts Scholarship in 2018. In 2018 he had the opportunity to work with the Artist-in-Residence at Humber College Pat Metheny, arranging the composition "Then and Now" for the Humber Studio Band and performing with the Ted Quinlan Pat Metheny Tribute Ensemble for the Artist-in-Residence Showcase concert. He has also been commissioned by the York Region Chamber Music Society to compose an original piece for the Hogtown Brass Quintet, entitled “Castle in the Sky” which premiered at the Richmond Hill Centre for the Performing Arts in 2019.
Robert in 2017 participated in the Spectrum Music New Voices Composers Residency. He attended the Keep an Eye Summer Jazz Workshop at the Conservatorium van Amsterdam in the Netherlands in 2018, studying under the likes of John Riley, Jay Anderson, Jesse Van Ruller, Frans van der Hoeven, and Dick Oats. He has also been featured on Jazzology with Heather Bambrick on JazzFm91 in 2018, as well as on Big City Small World and Saturday Night Jazz on CBC.
JazzFM91 Feature: https://jazz.fm/robert-lee-emerging-jazz-artist-finding-creative-voice/
Robert performed on the Juno Nominated album “ Little Bit a’ Love” by vocalist Denielle Bassels. He was named a Toronto Arts Foundation Finalist for “Breakthrough Jazz Artist” in 2025
The Robert Lee Group is a unique project consisting of original compositions inspired by Korean traditional music, instrumentation, and folk stories spanning various fantasy and romantic narratives. The project aims to develop an artistic identity founded in the emotional provocation of jazz and improvised music while exploring and implementing Korean traditional elements into one cohesive creative theatre. Robert has delved deeper into exploring his identity as a Korean Canadian, questioning what it means to simultaneously straddle two contrasting cultural identities. Featuring Jacqueline Teh (vocals), Sangah Lee (guest vocals), Jen Lo (piano), Roa Lee (gayageum), Allison Au (on saxophone), Jay Yoo (guitar) and Andrew McCarthy (drums) the project blends jazz improvisation, R&B/soul, folk, and film music with Korean traditional elements into a seamless amalgamation of colourful textures and unique arrangements.
Laura Hubert Band
Laura hubert Band
march 1, 15, 29 @ 5:00 PM
Laura Hubert - Vocals
Peter Hill - Piano
No Reservations
Pay What You Can
Canadian vocal treasure, born and raised in Toronto, Laura Hubert has remained a steady force on the city’s music scene over the past 25 years. Although she retired from rock and roll back per se when JUNO-winning indie-rock group Leslie Spit Treeo split up late last millennium, for several decades now she has been singing her soulful interpretations of vintage blues, jazz and Western swing all over the Greater Toronto Area. “I want to participate in the joy of the world, try to keep it light,” says Hubert. “Just trying to have some fun. Sing some songs. Make some music. Give some joy.”
Over the years she recorded 3 solo albums with her band, led by pianist Peter Hill and featuring some of Toronto’s finest including Chris Whiteley, Brandi Disterheft, Victor Bateman, William Sperandei: “Girlish Days” (2000), “Live at the Rex” (2001) and “Half Bridled” (2004).
In the years since these recordings, Hubert and her fans enjoyed residencies at venerable venues such as Grossman’s Tavern, The Cameron House and The Rex Hotel. Singing many of the same old classic songs over the years, like the finest of wine Hubert’s art has aged in the best way, her bluesy growl deeper and more powerful than ever.
“One Night in Kensington” is an initiative spearheaded by Order of Canada member, singer-songwriter and long-time friend of Hubert, is the new recording fans have long been waiting for. “Hubert’s unique and soulful vocal delivery can make any old song sound brand new,” says Molly Johnson.
Produced by Johnson and her Kensington Market Jazz Festival team, the new album live at Poetry Jazz Café find Hubert in the happy company of four very fine players: Eric St-Laurent on guitar, Davide DiRenzo on drums, Steve Wallace on bass and long-time musical partner Peter Hill on piano.
Coltrane Sutras
The Coltrane Sutras
March 15 @ 8:00 PM
Andrew Kay - Saxophone
Jonathan Kay - Saxophone
Roberto Occhipinti - Bass
Dhaivat Jani - Percussion
Jonathan Kay & Andrew Kay are exploring undiscovered musical realms which unite the spirit of the East with the creativity of the West in a never before realized synthesis of musical expression through the saxophone. Having studied together around the globe, they both bring their deep understanding and rich expression of music together to be united into a truly powerful universal sound.
This is a contemplative journey exploring the psycho-spiritual symbology of dusk and dawn as transcultural sound-worlds which feature an ensemble of saxophone trio, bass and traditional instruments from India, China, and Japan.
University of Toronto Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
Daniel Blake
Daniel Blake
March 16 @ 8:00pm
Daniel Blake - Saxophone
Band - TBA
Most artists who record an album as enthusiastically reviewed as The Aquarian Suite (2012), saxophonist Dan Blake’s scintillating up-to-the-minute take on postbop – “one of the most ridiculously satisfying discs we’ve heard in some time,” crowed the Boston Phoenix – would be eager to follow it up with something in the same vein. And that’s just what he’s done with The Digging (Sunnyside Records, 2016), a trio foray that features Eric Harland on drums.
But for the Hudson Valley-based artist, whose ridiculously wide-ranging career has included significant work with great artists as different as avant guru Anthony Braxton and Grammy-winning jazz-pop star Esperanza Spalding, there are compelling reasons to also go in other directions.
The Boston Globe has said Blake “regards tradition as a welcoming playground best approached with a sense of wonder and adventure.” A frequent collaborator in this playground is the protean Argentine pianist Leo Genovese, whose recording Seeds (Palmetto) features Blake, who the New York Times called a “virtuoso.”
One of those reasons is his burgeoning relationship with the Mivos Quartet, a leading new music chamber group for which he was commissioned to composer a new work by the Jerome Fund for New Music, with support from New Music USA’s Composer Assistance Program. The project saw its release at New York’s 2016 “Winter Jazzfest” and is now a feature-length DVD on the Infrequent Seams label. His work with Braxton led to an invitation for Blake to compose for the maestro’s “Tricentric Orchestra”. Blake has also received commissions to compose for recorderist Terri Hron, the Paris-based Spring Roll Quartet, the Dr. Faustus new music series, and the North/South Consonance Ensemble. His works have also been performed by such standout new music groups as the Cygnus Ensemble, the Kenners, Duo Diorama and redfish bluefish ensemble.
Beyond specific projects, Blake is simply an artist who lives for all manner of collaborations, as a composer as well as a tenor and soprano saxophonist. “That’s the single most important thing to me,” he said. “When you work with people, you inhabit some sort of world together, this feeling of connection. It’s not about imposing an aesthetic ideal. Music represents the value of those relationships. It makes a powerful ethical statement.”
In Blake’s world, those collaborations can involve departed as well as living artists, as witness his ongoing relationship with onetime teacher Steve Lacy via his solo saxophone performances and hours of practicing long tones, scale patterns, circular breathing and multiphonics. “Lacy said playing solo was extremely important, but not to do it too much or I’d get too much into my own world. My approach involves just exploding my instrument, waiting for that point where an accident occurs, whether it’s a squeak or a slip, and trying to do it again. I find that area of the instrument and exploit it through exploration.”
Blake also has been happily tested by his many collaborations with the likes of pianist Danilo Perez, another onetime teacher of his, on whose “Panama Suite” he was featured, and percussionist-composer Lukas Ligeti (son of Gyorgy), in whose band he has played. But his experiences with the Mivos Quartet have proven especially revelatory.
“I know it sounds strange, but I discovered with them that I could be a composer and also be myself,” said Blake. “In the past, preparing a score and delivering it to the ensemble never quite got me there. Mivos is a classical group, but they got it right away, which was a big lesson for me. They charted out my writing for improvisation. The music is constructed in real time, organically. Things have great flexibility: A cello solo can go on for 30 seconds or 10 minutes. When the the right switch is sparked and things take off, it’s amazing.”
As a sixth-grader, he was momentarily turned off to jazz when he went to a record store looking for a kind of starter album and ended up taking home John Coltrane’s fiercely modern “Meditations.” Said Blake, “It blew my mind. I couldn’t believe that music existed. I almost brought it back, but later on, it became one of my favorite recordings.”
He was exposed to a more immediately accessible side of Coltrane thanks to his piano teacher, Bob McHugh, a local pro, who recommended a live recording featuring Trane with Miles Davis. Their version of “Bye Bye Blackbird” immediately captured Blake and inspired him to listen to many other jazz greats. He went through what proved to be a life-changing experience when he attended jam sessions in Newark. “I was really lucky to get that early exposure, playing with all these amazing musicians” he said. “I really learned a lot about the music.”
Blake attended a joint five-year program that in 2004 earned him a Bachelor of Music degree in jazz saxophone from the New England Conservatory of Music and a Bachelor of Arts in child development from Tufts University. Before his move to New York in 2006, he released his first album, The Party Suite, a personal portrait of early jazz featuring reed player Alec Spiegelman, bassist Jorge Roeder, vibraphonist Alexey Tsiganov, drummer Richie Barshay and percussionist Jorge Perez-Albela.
For Blake, the recording had a crucial purpose. “I was just out of school, and just starting a career. I was asking myself, why is this music I’ve been studying for five years so great? Was I going to be able to make a living playing it? Do I really love this music, or was I pursuing it because other people told me to? The answer was, yes, I really did love this music. Louis Armstrong, and the contrapuntal playing in early jazz, and instruments improvising together excited me. I just had to find my own connection to history.”
After acquiring a master’s in composition from the Conservatory at the Brooklyn College of Music in 2008, he earned a Ph.D. in composition from the City University of New York Graduate Center in 2013. His dissertation: “Performed Identities: Theorizing in New York’s Improvised Music Scene,” a subject he knew quite a lot about, having interviewed such brilliant players as Mary Halvorson, Ricardo Gallo, Peter Evans and James Ilgenfritz and Esperanza Spalding.
In her right-on blurb, Esperanza Spalding praised Blake for “un-packaging the avant-garde gracefully and soulfully.” The saxophonist and bassist knew of each other in Boston, when Blake was at the New England Conservatory and Spalding was at the Berklee College of Music. Blake met her through Genovese, a Berklee classmate of hers, with whom he started playing in 2005. The three artists moved to New York at the same time and began hanging out together and became friends.
“She’s a wonderful person,” said Blake, who especially admires her for her commitment to social causes. The two collaborated on a piece, he contributed a solo to her big album and has been in her band (which features Genovese) ever since. As a great a success story as all this is, it’s more profoundly, and winningly, a tale of collaboration.
Blake’s composition teachers included modern classical composers Robert Dick, Tania Leon, Jason Eckhardt and John McDonald; his influences included Karlheinz Stockhausen and Anthony Braxton. It’s not surprising that his approach to improvisation was quite different from that of his friends trained in jazz.
Blake spent nine days with Braxton in 2010, rehearsing and recording his opera, Trillium E. He was one of 12 soloists in the 72-member Tri-Centric Orchestra working from a 1,000-page score. “I was intimidated at first, but as complex as the work was, Braxton has this whole notational thing with which he is able to communicate his ideas clearly and immediately. He was such a positive force, he made everything happen through kindness.
Blake dedicated the title track of The Aquarian Suite to Braxton. The album, which features acclaimed young Boston trumpeter Jason Palmer, along with Roeder and Richie Barshay, “brings an intelligence and taste for adventure but also a solid swing and tradition-hugging mandate to his work as both player and writer,” wrote the Downbeat reviewer, assigning the album four stars. His most recent release Da Fé (Sunnyside Records) features legendary drummer Jeff Williams, pianists Carmen Staaf and Leo Genovese, and his longtime bass collaborator Dmitry Ishenko. The album received rave reviews having been called “the perfect soundtrack for building a better world” (Monarch Magazine) and “one of the most relevant and musically rich albums of 2021 in any style of music” (Alan Young). Da Fé translates to “of faith,” a musical tribute to the spiritual leaders and activists who offer hope during troubled times. The album was described as . While Blake changed the term to avoid direct reference to that historical context, he does see a connection in the fires blazing across millions of acres in California. “There’s a certain violence to this time that we’re in, as we seem to be sacrificing ourselves at the altar of commodities. But there’s still a possibility of realizing a better future that we can put our faith in. That’s where these activist organizations come in.”
In 2021 Blake began working turned his attention to the intersection between art and spirituality, being drawn to the writings of the world renowned author and Buddhist Jarvis Jay Masters, who has been incarcerated and on death row for over three decades for a crime he did not commit. Masters’ celebrated memoir “That Bird Has My Wings” brings forth the metaphor of flight-as-freedom, depicted through movement and sound by composer Daniel Blake and choreographer Tomiko Magario. Premiered by Westchester Ballet Company in 2023, the work earned Blake a New York Foundation for the Arts fellowship, and collaborative work with the prison education program Rehabilitation Through the Arts. In 2023, Blake was awarded a Humanities New York grant to collaborate with Jarvis Masters on a workshop for high school students and teachers to explore the arts as a vehicle for thinking about criminal justice.
As of fall 2025, Daniel Blake takes on a new role as Assistant Professor of Music at John Jay College of Criminal Justice, City University of New York.
Matt Newton
Matt Newton
March 17 @ 5:00 PM
Matt Newton - Piano
Band -TBA
No Reservations
Pay What You Can
Matt Newton is a Toronto based pianist, composer and educator. Hailing from Ottawa, Ontario, Newton has been performing and composing professionally since the late 90s. He holds a Bachelor of Music from the University of Toronto and has attended the Banff International Workshop in Jazz and Creative Music where he studied with world renowned trumpeter/ composer Dave Douglas and pianist Deron Johnson (Miles Davis). In the fall of 2010 Newton performed a cross Canada tour promoting the release of his debut album Push. The critically acclaimed album features Petr Cancura, Mark McIntyre, and Ethan Ardelli, and was included in Paul J. Youngman’s list of Favourite Jazz CD’s of 2009. In 2012 Newton received an Ontario Arts Council grant to record his second album Within Reach, featuring his trio with Dan Fortin and Ethan Ardelli.
In his review of the record, Dan Bilawsky of All About Jazz wrote that “Newton doesn’t simply play piano. He expertly shapes phrases, lets notes pool together, creates rich and luxuriant arcs of sound, and balances the yin and yang that exists within these songs. His playing exudes warmth and comfort, yet it remains unpredictable.”
A longtime member of the Harley Card Quintet, Newton is featured on four of Card’s full length recordings. He has also performed alongside such respected artists as Rob Frayne, Melissa Lauren, Pat Collins, Kevin Turcotte, Ashley St. Pierre, Michael Herring, Ernesto Cervini, Jim Vivian, Felicity Williams, Alex Samaras, Chris Gale, Nick Fraser, Robin Dann, Rebecca Hennessy, Allison Au, and Tim Shia, among many others.
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris banks
march 3, 10, 17, 24, 31 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
Ale Nuñez with Eric Liang
Ale Nuñez with Eric Liang
march 18 @ 5:00 PM
Ale Nuñez - Vocals
Eric Liang - Piano
Band - TBA
No Reservations
Pay What You Can
Ale Avery Nuñez is a Jazz Vocalist, Songwriter, and bandleader based in Toronto, Canada. Rooted in jazz and soul, she brings a musical sophistication to every performance, with a tone that is uniquely her own and a true dedication to her artistry. Her influences range from Sarah Vaughan, Carmen McRae, Nat King Cole, and Etta Jones to Aretha Franklin, Norah Jones and Feist. Although a recent honours graduate of the Bachelor of Music degree at Humber College in Toronto, Ale has gone on to establish herself as an in-demand vocalist and musician, making her mark in music scenes near and far.
Andrew Rathbun Quartet
Andrew Rathbun Quartet
March 18, 19, 20, 21 @ 8:00pm
Andrew Rathbun - Saxophone
Band - TBA
Toronto native Andrew Rathbun is widely esteemed as one of the most creative and accomplished saxophonists, composers and bandleaders of his generation. On tenor and soprano saxophones he has achieved a rare depth of lyricism, authoritative swing and compositional intelligence. Voted as a “Rising Star” in the 2018 and 2022 Downbeat Critics Polls and recording steadily as a leader since the late 1990s, he has documented his stirring original music with an array of extraordinary lineups, featuring the talents of such greats as Kenny Wheeler, Billy Hart, George Garzone, Phil Markowitz and Bill Stewart. “Rathbun’s lines dance and glide,” writes David Whiteis of JazzTimes, “reflecting both childlike wonder and well-honed artistry.”
Rooted in the fiery improvisatory legacy of post-bop jazz, Rathbun’s music is also deeply informed by classical composition. His works include song cycles, suites, and chamber and orchestral pieces for a wide range of ensembles. His 2005 duo release with pianist George Colligan, Renderings, features adaptations of Maurice Ravel and Federico Mompou, as well as an original seven-movement “Suite for Soprano Saxophone and Piano” inspired by the great Wayne Shorter. On 2019’s Impressions of Debussy he partners with pianists Jeremy Siskind and Lori Sims to record interpretations of Debussy’s famed piano preludes. His 2010 release The Idea of North, inspired by the radio documentaries of Glenn Gould, includes a sextet arrangement of Christoph Glück’s “Minuet and Dance of the Blessed Spirits.” Rathbun has also written for the Danish Radio Jazz Orchestra, the Brussels Jazz Orchestra, and the Metropole Orkest and other ensembles, in addition to working as a commercial music composer.
Another of Rathbun’s inspirations is poetry: his 1998 recording Jade set to music the verse of Cathy Song, while his 2000 follow-up True Stories focused on the work of fellow Canadian Margaret Atwood. On both these recordings, acclaimed Brazilian vocalist Luciana Souza captured the imagery and deep emotion of the poems while meeting every technical challenge posed by Rathbun’s involved orchestrations. Trumpeter Taylor Haskins played a major role on these early releases, not to mention Rathbun’s debut, Scatter Some Stones; he would later appear on Affairs of State, The Idea of North and two tracks from Numbers & Letters, Rathbun’s exploratory 2014 quartet session.
Rathbun’s 2002 release Sculptures (co-produced by Haskins) found him leading a quintet with trumpet legend and Toronto native Kenny Wheeler. JazzTimes declared of Sculptures: “[The music] cloaks subtle avant-garde proclivities in soft light and open air.” After the album release, Rathbun collaborated with Wheeler in a live large-ensemble setting at Birdland in New York, performing classic Wheeler compositions as well as new Rathbun works including the “Power Politics Suite.” After Wheeler’s death in 2014 at age 84, Rathbun led his own large ensemble at the Jazz Gallery for a performance in the trumpeter’s honor.
The “Power Politics Suite” is but one example of Rathbun’s interest in social and political change, a theme running throughout his 2007 quintet session Affairs of State, released as the Bush years were coming to a close. Where We Are Now (2009), Rathbun’s quintet session with Billy Hart on drums, had a more implied political thrust, as Taylor Haskins wrote in his liner notes (the release date came just weeks before the inauguration of Barack Obama), Shadow Forms, from 2006, was more open-ended in its meanings, sparser in instrumentation — Rathbun played tenor, soprano, clarinet and even keyboard in a bracingly open trio setting, with mentor George Garzone adding raw and brilliant tenor sax on five of the 12 tracks. Kenny Wheeler’s “Onmo” closed the album in rousing form.
Fellow saxophonist and Torontonian Pat LaBarbera produced Days Before and After (2004), Rathbun’s co-led session with drummer and Edmonton native Owen Howard. The “outstanding set” (allaboutjazz.com) featured original music driven by the unorthodox two-guitar team of Ben Monder and Geoff Young.
His double-CD opus Atwood Suites, is a collection of poems by famed author Margaret Atwood set for vocalist and jazz orchestra on Origin Records. Jazziz Magazine has this to say about the release; “On the basis of this CD alone, Rathbun deserves to be ranked among today’s top arranger – composers.”
2021’s Semantics is a two-tenor date with Rich Perry, alongside Gary Versace, John Hébert and Billy Drummond, and has over 600,000 streams on Spotify. His latest release is The Speed of Time with Versace and Hebert and drum Tom Rainey.
Rathbun earned a Masters in Performance from Boston’s New England Conservatory, where he studied with George Garzone, Jimmy Giuffre and George Russell. After moving to Brooklyn in 1997 he became a fixture on the New York jazz scene, helping to shape the sound of the music in the new millennium as he earned a Doctorate in Jazz Arts from Manhattan School of Music. He has secured recognition and support from the Ontario Council for the Arts, the Canada Council and the American Music Center. He has also served as a fellow at the Aspen Music Festival and an artist at both the MacDowell Colony and the Banff Center for the Arts.
Following teaching stints at the University of Maine, Kingsborough College and the Amadeus Conservatory in northern Westchester County, New York, Rathbun took a position in 2012 as Professor of Saxophone and Jazz Studies at Western Michigan University in Kalamazoo, where he now lives with his family. He continues to perform in New York and internationally.
Neon Eagle
Neon Eagle
march 19 @ 5:00 PM
Led by: Mike Eckert - Pedal Steel
No Reservations
Pay What You Can
Bringing entrancing instrumental fusion music featuring the pedal steel.
Come in, sit back, and feel the hypnotic vibes of this incredible group!
Andrew Rathbun Quartet
Andrew Rathbun Quartet
March 18, 19, 20, 21 @ 8:00pm
Andrew Rathbun - Saxophone
Band - TBA
Toronto native Andrew Rathbun is widely esteemed as one of the most creative and accomplished saxophonists, composers and bandleaders of his generation. On tenor and soprano saxophones he has achieved a rare depth of lyricism, authoritative swing and compositional intelligence. Voted as a “Rising Star” in the 2018 and 2022 Downbeat Critics Polls and recording steadily as a leader since the late 1990s, he has documented his stirring original music with an array of extraordinary lineups, featuring the talents of such greats as Kenny Wheeler, Billy Hart, George Garzone, Phil Markowitz and Bill Stewart. “Rathbun’s lines dance and glide,” writes David Whiteis of JazzTimes, “reflecting both childlike wonder and well-honed artistry.”
Rooted in the fiery improvisatory legacy of post-bop jazz, Rathbun’s music is also deeply informed by classical composition. His works include song cycles, suites, and chamber and orchestral pieces for a wide range of ensembles. His 2005 duo release with pianist George Colligan, Renderings, features adaptations of Maurice Ravel and Federico Mompou, as well as an original seven-movement “Suite for Soprano Saxophone and Piano” inspired by the great Wayne Shorter. On 2019’s Impressions of Debussy he partners with pianists Jeremy Siskind and Lori Sims to record interpretations of Debussy’s famed piano preludes. His 2010 release The Idea of North, inspired by the radio documentaries of Glenn Gould, includes a sextet arrangement of Christoph Glück’s “Minuet and Dance of the Blessed Spirits.” Rathbun has also written for the Danish Radio Jazz Orchestra, the Brussels Jazz Orchestra, and the Metropole Orkest and other ensembles, in addition to working as a commercial music composer.
Another of Rathbun’s inspirations is poetry: his 1998 recording Jade set to music the verse of Cathy Song, while his 2000 follow-up True Stories focused on the work of fellow Canadian Margaret Atwood. On both these recordings, acclaimed Brazilian vocalist Luciana Souza captured the imagery and deep emotion of the poems while meeting every technical challenge posed by Rathbun’s involved orchestrations. Trumpeter Taylor Haskins played a major role on these early releases, not to mention Rathbun’s debut, Scatter Some Stones; he would later appear on Affairs of State, The Idea of North and two tracks from Numbers & Letters, Rathbun’s exploratory 2014 quartet session.
Rathbun’s 2002 release Sculptures (co-produced by Haskins) found him leading a quintet with trumpet legend and Toronto native Kenny Wheeler. JazzTimes declared of Sculptures: “[The music] cloaks subtle avant-garde proclivities in soft light and open air.” After the album release, Rathbun collaborated with Wheeler in a live large-ensemble setting at Birdland in New York, performing classic Wheeler compositions as well as new Rathbun works including the “Power Politics Suite.” After Wheeler’s death in 2014 at age 84, Rathbun led his own large ensemble at the Jazz Gallery for a performance in the trumpeter’s honor.
The “Power Politics Suite” is but one example of Rathbun’s interest in social and political change, a theme running throughout his 2007 quintet session Affairs of State, released as the Bush years were coming to a close. Where We Are Now (2009), Rathbun’s quintet session with Billy Hart on drums, had a more implied political thrust, as Taylor Haskins wrote in his liner notes (the release date came just weeks before the inauguration of Barack Obama), Shadow Forms, from 2006, was more open-ended in its meanings, sparser in instrumentation — Rathbun played tenor, soprano, clarinet and even keyboard in a bracingly open trio setting, with mentor George Garzone adding raw and brilliant tenor sax on five of the 12 tracks. Kenny Wheeler’s “Onmo” closed the album in rousing form.
Fellow saxophonist and Torontonian Pat LaBarbera produced Days Before and After (2004), Rathbun’s co-led session with drummer and Edmonton native Owen Howard. The “outstanding set” (allaboutjazz.com) featured original music driven by the unorthodox two-guitar team of Ben Monder and Geoff Young.
His double-CD opus Atwood Suites, is a collection of poems by famed author Margaret Atwood set for vocalist and jazz orchestra on Origin Records. Jazziz Magazine has this to say about the release; “On the basis of this CD alone, Rathbun deserves to be ranked among today’s top arranger – composers.”
2021’s Semantics is a two-tenor date with Rich Perry, alongside Gary Versace, John Hébert and Billy Drummond, and has over 600,000 streams on Spotify. His latest release is The Speed of Time with Versace and Hebert and drum Tom Rainey.
Rathbun earned a Masters in Performance from Boston’s New England Conservatory, where he studied with George Garzone, Jimmy Giuffre and George Russell. After moving to Brooklyn in 1997 he became a fixture on the New York jazz scene, helping to shape the sound of the music in the new millennium as he earned a Doctorate in Jazz Arts from Manhattan School of Music. He has secured recognition and support from the Ontario Council for the Arts, the Canada Council and the American Music Center. He has also served as a fellow at the Aspen Music Festival and an artist at both the MacDowell Colony and the Banff Center for the Arts.
Following teaching stints at the University of Maine, Kingsborough College and the Amadeus Conservatory in northern Westchester County, New York, Rathbun took a position in 2012 as Professor of Saxophone and Jazz Studies at Western Michigan University in Kalamazoo, where he now lives with his family. He continues to perform in New York and internationally.
Allison Au trio
Allison Au trio
march 20 @ 5:00 PM
Allison Au - Alto Saxophone
Rob Chapman - Guitar
Devin Patten - Bass
No Reservations
Pay What You Can
Allison Au (pronounced "ow") is JUNO award winning saxophonist, composer and arranger. Highly regarded for her distinctive and imaginative voice, Allison has been lauded as “a new jazz ambassador” for Canada.
Born to a Chinese father and Jewish mother, and raised in the multicultural metropolis of Toronto, Allison fell in love with music as a young child. Her father’s eclectic collection of vinyls and CDs exposed her to a wide array of musical styles. Struggling to find a sense of belonging in her biracial identity, the unhinged freedom of improvisation captivated Allison and quickly became her lab for self-expression and exploration.
Au’s passion for composition led to the 2009 formation of the Allison Au Quartet featuring Todd Pentney (piano), Jon Maharaj (bass) and Fabio Ragnellli (drums). The ensemble has received continued critical acclaim. Au earned her first JUNO nomination for her debut album, The Sky Was Pale Blue, then Grey in 2013, and in 2016 seized the JUNO for "Best Jazz Album of The Year: Group" for Forest Grove. In 2019, she garnered another JUNO nomination for "Best Jazz Album of the Year: Group" for Wander Wonder.
Au was the 2017 winner of TD Grand Prix de Jazz (Festival International de Jazz de Montréal), the 2017 winner of Sting Ray Rising Star Award (Halifax Jazz Festival), and 2017 finalist for Toronto Arts Foundation Emerging Jazz Artist Award. In 2018 she was featured on SFJAZZ’s 2018 list of "10 Rising Instrumentalists You Should Know.” She has toured Canada and the US extensively.
Based in her hometown of Toronto, Au maintains an active role as a performer. In 2022, she joined the Jazz Studies faculty at the University of Toronto as a private instructor.
Andrew Rathbun Quartet
Andrew Rathbun Quartet
March 18, 19, 20, 21 @ 8:00pm
Andrew Rathbun - Saxophone
Band - TBA
Toronto native Andrew Rathbun is widely esteemed as one of the most creative and accomplished saxophonists, composers and bandleaders of his generation. On tenor and soprano saxophones he has achieved a rare depth of lyricism, authoritative swing and compositional intelligence. Voted as a “Rising Star” in the 2018 and 2022 Downbeat Critics Polls and recording steadily as a leader since the late 1990s, he has documented his stirring original music with an array of extraordinary lineups, featuring the talents of such greats as Kenny Wheeler, Billy Hart, George Garzone, Phil Markowitz and Bill Stewart. “Rathbun’s lines dance and glide,” writes David Whiteis of JazzTimes, “reflecting both childlike wonder and well-honed artistry.”
Rooted in the fiery improvisatory legacy of post-bop jazz, Rathbun’s music is also deeply informed by classical composition. His works include song cycles, suites, and chamber and orchestral pieces for a wide range of ensembles. His 2005 duo release with pianist George Colligan, Renderings, features adaptations of Maurice Ravel and Federico Mompou, as well as an original seven-movement “Suite for Soprano Saxophone and Piano” inspired by the great Wayne Shorter. On 2019’s Impressions of Debussy he partners with pianists Jeremy Siskind and Lori Sims to record interpretations of Debussy’s famed piano preludes. His 2010 release The Idea of North, inspired by the radio documentaries of Glenn Gould, includes a sextet arrangement of Christoph Glück’s “Minuet and Dance of the Blessed Spirits.” Rathbun has also written for the Danish Radio Jazz Orchestra, the Brussels Jazz Orchestra, and the Metropole Orkest and other ensembles, in addition to working as a commercial music composer.
Another of Rathbun’s inspirations is poetry: his 1998 recording Jade set to music the verse of Cathy Song, while his 2000 follow-up True Stories focused on the work of fellow Canadian Margaret Atwood. On both these recordings, acclaimed Brazilian vocalist Luciana Souza captured the imagery and deep emotion of the poems while meeting every technical challenge posed by Rathbun’s involved orchestrations. Trumpeter Taylor Haskins played a major role on these early releases, not to mention Rathbun’s debut, Scatter Some Stones; he would later appear on Affairs of State, The Idea of North and two tracks from Numbers & Letters, Rathbun’s exploratory 2014 quartet session.
Rathbun’s 2002 release Sculptures (co-produced by Haskins) found him leading a quintet with trumpet legend and Toronto native Kenny Wheeler. JazzTimes declared of Sculptures: “[The music] cloaks subtle avant-garde proclivities in soft light and open air.” After the album release, Rathbun collaborated with Wheeler in a live large-ensemble setting at Birdland in New York, performing classic Wheeler compositions as well as new Rathbun works including the “Power Politics Suite.” After Wheeler’s death in 2014 at age 84, Rathbun led his own large ensemble at the Jazz Gallery for a performance in the trumpeter’s honor.
The “Power Politics Suite” is but one example of Rathbun’s interest in social and political change, a theme running throughout his 2007 quintet session Affairs of State, released as the Bush years were coming to a close. Where We Are Now (2009), Rathbun’s quintet session with Billy Hart on drums, had a more implied political thrust, as Taylor Haskins wrote in his liner notes (the release date came just weeks before the inauguration of Barack Obama), Shadow Forms, from 2006, was more open-ended in its meanings, sparser in instrumentation — Rathbun played tenor, soprano, clarinet and even keyboard in a bracingly open trio setting, with mentor George Garzone adding raw and brilliant tenor sax on five of the 12 tracks. Kenny Wheeler’s “Onmo” closed the album in rousing form.
Fellow saxophonist and Torontonian Pat LaBarbera produced Days Before and After (2004), Rathbun’s co-led session with drummer and Edmonton native Owen Howard. The “outstanding set” (allaboutjazz.com) featured original music driven by the unorthodox two-guitar team of Ben Monder and Geoff Young.
His double-CD opus Atwood Suites, is a collection of poems by famed author Margaret Atwood set for vocalist and jazz orchestra on Origin Records. Jazziz Magazine has this to say about the release; “On the basis of this CD alone, Rathbun deserves to be ranked among today’s top arranger – composers.”
2021’s Semantics is a two-tenor date with Rich Perry, alongside Gary Versace, John Hébert and Billy Drummond, and has over 600,000 streams on Spotify. His latest release is The Speed of Time with Versace and Hebert and drum Tom Rainey.
Rathbun earned a Masters in Performance from Boston’s New England Conservatory, where he studied with George Garzone, Jimmy Giuffre and George Russell. After moving to Brooklyn in 1997 he became a fixture on the New York jazz scene, helping to shape the sound of the music in the new millennium as he earned a Doctorate in Jazz Arts from Manhattan School of Music. He has secured recognition and support from the Ontario Council for the Arts, the Canada Council and the American Music Center. He has also served as a fellow at the Aspen Music Festival and an artist at both the MacDowell Colony and the Banff Center for the Arts.
Following teaching stints at the University of Maine, Kingsborough College and the Amadeus Conservatory in northern Westchester County, New York, Rathbun took a position in 2012 as Professor of Saxophone and Jazz Studies at Western Michigan University in Kalamazoo, where he now lives with his family. He continues to perform in New York and internationally.
Nichol Robertson
Nichol Robertson
March 20 @ 11:00 PM
Nichol Robertson - Guitar
Band - TBA
No Reservations
Pay What You Can
Equally at home melting faces in front of packed houses with his high octane guitar onslaught as he is providing Muzak-like background ambience at the local bar, Nichol Robertson is a sonic painter with an ear for Bob Rossesque aural landscapes.
Nichol Robertson is a Canadian roots music guitarist, born and raised in Toronto, Ontario. Equally at home melting faces in front of packed houses with his high octane guitar onslaught as he is providing Muzak-like background ambience at the local bar, Nichol Robertson is a sonic painter with an ear for Bob Rossesque aural landscapes. From twangy melodies echoing The Shadowy Men on a Shadowy Planet to B-bender shredding reminicent of the late Clarence White, his abilities on the guitar are very apparent.
Robertson's first solo album, the critically acclaimed “Stranger Things” (well BEFORE that show, let's be clear) came out in 2011. His new release “Mimico Moonlight” is due out May 17, 2024. While 13 years between releases might seem a bit long, Robertson has spent that time working on countless projects (The Layrite Boys, The Hulagoons, Thelonious Hank, Nic & the Narcs, Robertson & Kerr, Snowbird, to name a few of his own bands).
The 501 East
The 501 East
March 21 @ 2:00 PM
Carlos Lopes - Acoustic Guitar
Aidan Mason - Acoustic Guitar / Violin
Russ Boswell - Electric Bass
Gary Craig - Drums
No Reservations
Pay What You Can
The 501 East is a group made up of 4 of Canada's finest musicians; Aidan Mason on guitar, violin, and vocals, Carlos Lopes on guitar, Russ Boswell on bass, and Gary Craig on drums.
Each of these performers is a major player in the Canadian and Global music scenes. They have been performing in this configuration since 2014 but have been friends and musical compatriots since the 80s.
Their sound is an instrumental blend of bluesy, jazz lines over rootsy, Americana grooves. The original and cover songs are a reflection of their extensive and diverse musical backgrounds. Aidan's South African upbringing, Carlos' Latin/jazz, and film scoring background, Gary's deep folk and blues roots and Russ' rock, pop and jazz experience.
The first group album "Short Turn" was selected as one of Jazz FM's picks for albums of the year: 2024.
Metro Big Band
Metro Big Band
March 21 @ 5:00 PM
No Reservations
Pay What You Can
The Metro Big Band is a 21 piece big band playing the most famous swing, ballads & jazz standards from the 30’s,40’s, 50’s, 60’s, and 70’s. Our music will have you dancing & listening all night long! We can compliment our performance with professional DJ and event management services.
Andrew Rathbun Quartet
Andrew Rathbun Quartet
March 18, 19, 20, 21 @ 8:00pm
Andrew Rathbun - Saxophone
Band - TBA
Toronto native Andrew Rathbun is widely esteemed as one of the most creative and accomplished saxophonists, composers and bandleaders of his generation. On tenor and soprano saxophones he has achieved a rare depth of lyricism, authoritative swing and compositional intelligence. Voted as a “Rising Star” in the 2018 and 2022 Downbeat Critics Polls and recording steadily as a leader since the late 1990s, he has documented his stirring original music with an array of extraordinary lineups, featuring the talents of such greats as Kenny Wheeler, Billy Hart, George Garzone, Phil Markowitz and Bill Stewart. “Rathbun’s lines dance and glide,” writes David Whiteis of JazzTimes, “reflecting both childlike wonder and well-honed artistry.”
Rooted in the fiery improvisatory legacy of post-bop jazz, Rathbun’s music is also deeply informed by classical composition. His works include song cycles, suites, and chamber and orchestral pieces for a wide range of ensembles. His 2005 duo release with pianist George Colligan, Renderings, features adaptations of Maurice Ravel and Federico Mompou, as well as an original seven-movement “Suite for Soprano Saxophone and Piano” inspired by the great Wayne Shorter. On 2019’s Impressions of Debussy he partners with pianists Jeremy Siskind and Lori Sims to record interpretations of Debussy’s famed piano preludes. His 2010 release The Idea of North, inspired by the radio documentaries of Glenn Gould, includes a sextet arrangement of Christoph Glück’s “Minuet and Dance of the Blessed Spirits.” Rathbun has also written for the Danish Radio Jazz Orchestra, the Brussels Jazz Orchestra, and the Metropole Orkest and other ensembles, in addition to working as a commercial music composer.
Another of Rathbun’s inspirations is poetry: his 1998 recording Jade set to music the verse of Cathy Song, while his 2000 follow-up True Stories focused on the work of fellow Canadian Margaret Atwood. On both these recordings, acclaimed Brazilian vocalist Luciana Souza captured the imagery and deep emotion of the poems while meeting every technical challenge posed by Rathbun’s involved orchestrations. Trumpeter Taylor Haskins played a major role on these early releases, not to mention Rathbun’s debut, Scatter Some Stones; he would later appear on Affairs of State, The Idea of North and two tracks from Numbers & Letters, Rathbun’s exploratory 2014 quartet session.
Rathbun’s 2002 release Sculptures (co-produced by Haskins) found him leading a quintet with trumpet legend and Toronto native Kenny Wheeler. JazzTimes declared of Sculptures: “[The music] cloaks subtle avant-garde proclivities in soft light and open air.” After the album release, Rathbun collaborated with Wheeler in a live large-ensemble setting at Birdland in New York, performing classic Wheeler compositions as well as new Rathbun works including the “Power Politics Suite.” After Wheeler’s death in 2014 at age 84, Rathbun led his own large ensemble at the Jazz Gallery for a performance in the trumpeter’s honor.
The “Power Politics Suite” is but one example of Rathbun’s interest in social and political change, a theme running throughout his 2007 quintet session Affairs of State, released as the Bush years were coming to a close. Where We Are Now (2009), Rathbun’s quintet session with Billy Hart on drums, had a more implied political thrust, as Taylor Haskins wrote in his liner notes (the release date came just weeks before the inauguration of Barack Obama), Shadow Forms, from 2006, was more open-ended in its meanings, sparser in instrumentation — Rathbun played tenor, soprano, clarinet and even keyboard in a bracingly open trio setting, with mentor George Garzone adding raw and brilliant tenor sax on five of the 12 tracks. Kenny Wheeler’s “Onmo” closed the album in rousing form.
Fellow saxophonist and Torontonian Pat LaBarbera produced Days Before and After (2004), Rathbun’s co-led session with drummer and Edmonton native Owen Howard. The “outstanding set” (allaboutjazz.com) featured original music driven by the unorthodox two-guitar team of Ben Monder and Geoff Young.
His double-CD opus Atwood Suites, is a collection of poems by famed author Margaret Atwood set for vocalist and jazz orchestra on Origin Records. Jazziz Magazine has this to say about the release; “On the basis of this CD alone, Rathbun deserves to be ranked among today’s top arranger – composers.”
2021’s Semantics is a two-tenor date with Rich Perry, alongside Gary Versace, John Hébert and Billy Drummond, and has over 600,000 streams on Spotify. His latest release is The Speed of Time with Versace and Hebert and drum Tom Rainey.
Rathbun earned a Masters in Performance from Boston’s New England Conservatory, where he studied with George Garzone, Jimmy Giuffre and George Russell. After moving to Brooklyn in 1997 he became a fixture on the New York jazz scene, helping to shape the sound of the music in the new millennium as he earned a Doctorate in Jazz Arts from Manhattan School of Music. He has secured recognition and support from the Ontario Council for the Arts, the Canada Council and the American Music Center. He has also served as a fellow at the Aspen Music Festival and an artist at both the MacDowell Colony and the Banff Center for the Arts.
Following teaching stints at the University of Maine, Kingsborough College and the Amadeus Conservatory in northern Westchester County, New York, Rathbun took a position in 2012 as Professor of Saxophone and Jazz Studies at Western Michigan University in Kalamazoo, where he now lives with his family. He continues to perform in New York and internationally.
Jakob Durst
Jakob Durst
March 21 @ 11:00 PM
Jakob Durst - Tenor Saxophone
Taylor Maslin - Tenor Saxophone
Julian Belray - Piano
Jonathan Meyer - Bass
Norbert Botos - Drums
No Reservations
Pay What You Can
Jakob Durst (b. 2003) is a Canadian saxophonist currently residing in Toronto. Drawing his main influence from the Black American Art-form “Jazz”,
Jakob cites Lester Young, Ben Webster and Charlie Parker as his greatest inspirations. Jakob has had the opportunity to play alongside Terry Clarke, Neil Swainson and Reg Schwager, among many other names in Canadian Jazz. He currently attends the University of Toronto, where he studies Human Biology and Ecology.
Artie Roth York University ensemble
Artie Roth York University ensemble
March 22 @ 11:30 AM
Isabella Sofia - Vocals
Derrick Bartley - Guitar
Matthew Spina - Drums
Jesse Galon - Guitar
Rob Carruthers - Saxophone/woodwinds
Julia Bakos - Piano
Artie Roth- Bass/ensemble teacher
No Reservations
Pay What You Can
Toronto-born jazz bassist Artie Roth is a composer, bandleader, performer and educator who has been active nationally and internationally for over 30 years and is on over 60 full length recordings. As a bandleader, bassist and composer, Artie has four recordings “Parallels”(2005), “Currently Experiencing” (2013) , “Discern” (2015) and “Resonants” (2023). As well as leading his own group, Artie is also a co-leader of Tunetown releasing “There From Here” (2018) and “Entering Utopia” (2020).
"Resonants" on TPR Records, is the third release by the Toronto based Artie Roth Quartet, with Mike Filice (Sax), Anthony Michelli (Drums) and Sam Dickinson (Guitar). Featuring 11 new compositions by Bassist/Composer Artie Roth and produced with Brooklyn based producer Roman Klun, the music seamlessly crosses genres between jazz, rock, funk, folk and ambient soundscapes. Bristling with the recorded sounds of sympathetic resonances of close and remote objects in the studio, this is a trailblazing, conceptual jazz album. "Resonants” weaves palpable vibrations into a tapestry of new Jazz music with lyrical melodies, catchy bass lines, driving rhythms and soaring guitars.
Ethio - Jazz with the Abyssina Band
The Abyssina Band
March 22 @ 2:00 PM
Andy - Guitar
Girma WoldeMichael -Saxophone
Habte - Piano
Natty - Drums
Tofiq - Bass
Melat Mengesha - Vocals
No Reservations
Pay What You Can
With the flight of its Marxist dictator in 1991, Ethiopia experienced the first heady flush of freedom, and with it the surge of foreign cultural products that had been forbidden for so many years. The Abyssinia Band has been one of the most excited and exciting consumers of these new western musical ideas, attempting to blend them with the traditional arrangements of the nation to produce a more modern, textured sound. ~ Leon Jackson, Rovi
the Fraser Melvin band
The Fraser Melvin Band
March 22 @ 5:00 pm
Fraser Melvin - Guitar / Vocals
Andrew Pacheco - Bass
Jenie Thai - Piano / Keys / Vocals
TBD - Drums
No Reservations
Pay What You Can
Fraser Melvin is a talented multi-instrumentalist, singer, composer, and leader of The Fraser Melvin Band. Since 2006, Fraser has been performing with his band in Toronto and across Canada as well as with numerous other celebrated bands including Bad Luck Woman & Her Misfortunes, Sam Polley and The Old Tomorrows, and The Jenie Thai Band. With more than 20 years of experience in the music industry, Fraser has performed at the Toronto Jazz Festival, the Montreal Jazz Festival, and the Tremblant International Blues Festival, as well as performing as an opener for Johnny Winter, Jim Cuddy, and Chilliwack. The Fraser Melvin Band plays high energy Blues, Roots, and R&B that will get you moving and shaking. From their countryfied covers of Jimi Hendrix, to their funk interpretations of Bob Dylan, to their own soulful originals, the FMB draws on a wide variety of influences throughout their set.
Johnny Griffith
Johnny Griffith
March 22 & 23 @ 8:00 PM
Johnny Griffith - Saxophone
Band - TBA
Johnny Griffith is a multi-Juno Award nominated saxophonist, composer and producer who has played and recorded with numerous artists including Don Thompson, Hawksley Workman, Jeremy Pelt, Ernesto Cervini’s Tune Town, Charlie Hunter, The Wailers, Alex Dean, Laila Biali, Al Henderson Quintet, Brandi Disterheft and Terra Hazelton to name a few, and is a member of the popular Canadian funk/hip hop group, the Pocket Dwellers. He has toured extensively across Canada, the United States, and Europe performing at all the major Canadian music festivals as well as several international venues including the Montreaux Jazz Festival in Switzerland.
The Johnny Griffith Quintet is the artist’s first solo venture and launched with “Dance with the Lady” in 2015. Featuring NYC’s Jeremy Pelt on trumpet, the album was the featured release on WBGO Jazz radio New Jersey. Johnny continues with the soon to be released “The Lion, Camel and Child”, again with Pelt, previewing at the TD Toronto Jazz Festival 2018
University of Toronto Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
Johnny Griffith
Johnny Griffith
March 22 & 23 @ 8:00 PM
Johnny Griffith - Saxophone
Band - TBA
Johnny Griffith is a multi-Juno Award nominated saxophonist, composer and producer who has played and recorded with numerous artists including Don Thompson, Hawksley Workman, Jeremy Pelt, Ernesto Cervini’s Tune Town, Charlie Hunter, The Wailers, Alex Dean, Laila Biali, Al Henderson Quintet, Brandi Disterheft and Terra Hazelton to name a few, and is a member of the popular Canadian funk/hip hop group, the Pocket Dwellers. He has toured extensively across Canada, the United States, and Europe performing at all the major Canadian music festivals as well as several international venues including the Montreaux Jazz Festival in Switzerland.
The Johnny Griffith Quintet is the artist’s first solo venture and launched with “Dance with the Lady” in 2015. Featuring NYC’s Jeremy Pelt on trumpet, the album was the featured release on WBGO Jazz radio New Jersey. Johnny continues with the soon to be released “The Lion, Camel and Child”, again with Pelt, previewing at the TD Toronto Jazz Festival 2018
Shalom Murray & Alexander Kohlsmith
Shalom Murray & Alexander Kohlsmith
March 24 @ 5:00 PM
Shalom Murray - Vocals
Ben Payne - Bass
Miles Cakebread-Kraus - Guitar
Alexander Kohlsmith- Piano
Theo Dykstra - Drums
Ben McWebb - Lapstell
No Reservations
Pay What You Can
The Shalom Murray & Alexander Kohlsmith Ensemble creates a distinctive musical experience, merging the harmonic richness and improvisational essence of jazz with the lyrical depth and instrumental timbres of folk. Picture soulful vocals intertwining with the textures of lap steel and guitar, all anchored by a rhythm section of bass and drums.
Folk jazz is a genre where the harmonic sophistication and improvisation of jazz meet the narrative depth and acoustic instrumentation of folk. It's a fusion that invites listeners on a journey through both familiar and uncharted musical territories.
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris banks
march 3, 10, 17, 24, 31 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
Margaret Donovan Quintet
Margaret Donovan Quintet
March 25 @ 5:00 PM
Margaret Donovan - Trombone
Jakob Durst - Tenor Saxophone
Eric Liang - Piano
Hiro Tanaka - Bass
Petros Anagnostakos - Drums
No Reservations
Pay What You Can
Eliana Cuevas Quintet
Eliana Cuevas Quintet
March 25, 26, 27, 28 @ 8:00pm
Eliana Cuevas - Vocals
Band - TBA
Through years of touring around the world, across Canada, and collaborating with Juno and Grammy Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colors in her compositional and lyrical palette.
Among her honors are the Canadian National Jazz Award for Latin Jazz Artist of the Year, two Toronto Independent Music Awards for Best World Music Artist, an Independent Music Award for Best Latin Album, and a World Solo Artist of the Year Award at the Canadian Folk Music Awards. Eliana has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017), and most recently El Curruchá (2021).
On her most recent album, El Curruchá, featuring the legendary, late Aquiles Báez, Venezuelan-Canadian singer/songwriter Eliana Cuevas returned to her Latin American roots, offering up a nostalgic homage to the music she grew up listening to in her homeland of Venezuela. The result is a beautifully intimate performance, by turns playful and deeply emotional, featuring virtuosic guitar and vocal work.
Kyle Pogline
Kyle Pogline
March 26 2 5:00 PM
Kyle Pogline - Trumpet
Band - TBA
No Reservations
Pay What You Can
Kyle Pogline is a jazz trumpeter and flugelhornist based in Toronto, known for his warm sound and melodic approach to improvisation. A 2021 honors graduate of Humber College, he has become a fixture in Toronto's jazz scene, leading his own trio and performing with some of the city's top ensembles including the Alex Dean Jazz Orchestra and the Mike Malone Jazz Orchestra. His work as a sideman with vocalist Caity Gyorgy has earned him two JUNO Awards, Canada's highest music honor, for contributions to her albums Now Pronouncing and Featuring. In 2024, he placed second in the Jazz Division Finals of the International Trumpet Guild's Ryan Anthony Memorial Competition. Pogline is also active as an educator, producing instructional videos on trumpet technique and transcription.
Eliana Cuevas Quintet
Eliana Cuevas Quintet
March 25, 26, 27, 28 @ 8:00pm
Eliana Cuevas - Vocals
Band - TBA
Through years of touring around the world, across Canada, and collaborating with Juno and Grammy Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colors in her compositional and lyrical palette.
Among her honors are the Canadian National Jazz Award for Latin Jazz Artist of the Year, two Toronto Independent Music Awards for Best World Music Artist, an Independent Music Award for Best Latin Album, and a World Solo Artist of the Year Award at the Canadian Folk Music Awards. Eliana has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017), and most recently El Curruchá (2021).
On her most recent album, El Curruchá, featuring the legendary, late Aquiles Báez, Venezuelan-Canadian singer/songwriter Eliana Cuevas returned to her Latin American roots, offering up a nostalgic homage to the music she grew up listening to in her homeland of Venezuela. The result is a beautifully intimate performance, by turns playful and deeply emotional, featuring virtuosic guitar and vocal work.
The SHH! Trio
The SHH! Trio
March 27 @ 5:00 PM
Rebecca Hennessy - Trumpet / Keys / Vocals
Michael Herring - Bass / Vocals
Tim Shia - Drums / Percussion
No Reservations
Pay What You Can
The “SHH!” Trio is Tim Shia, Rebecca Hennessy and Michael Herring. When they’re not working individually with everyone from Holly Cole to Adele; or together in larger groups with the Worst Pop Band Ever, Way North, Makeshift Island, Peripheral Vision or Friendly Rich’s Lollipop People, they like to perform their eclectic mix of original music and covers as a trio. They even sometimes do so disguised as “Jazz for Juniors” and secretly entertain students while educating them through school music workshops.
Eliana Cuevas Quintet
Eliana Cuevas Quintet
March 25, 26, 27, 28 @ 8:00pm
Eliana Cuevas - Vocals
Band - TBA
Through years of touring around the world, across Canada, and collaborating with Juno and Grammy Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colors in her compositional and lyrical palette.
Among her honors are the Canadian National Jazz Award for Latin Jazz Artist of the Year, two Toronto Independent Music Awards for Best World Music Artist, an Independent Music Award for Best Latin Album, and a World Solo Artist of the Year Award at the Canadian Folk Music Awards. Eliana has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017), and most recently El Curruchá (2021).
On her most recent album, El Curruchá, featuring the legendary, late Aquiles Báez, Venezuelan-Canadian singer/songwriter Eliana Cuevas returned to her Latin American roots, offering up a nostalgic homage to the music she grew up listening to in her homeland of Venezuela. The result is a beautifully intimate performance, by turns playful and deeply emotional, featuring virtuosic guitar and vocal work.
Steve Koven Trio
Steve Koven Trio
March 27 @ 11:00 PM
Steve Koven - piano
Zachary Dawood - drums
Sergio Ponde Dhelomme -bass
No Reservations
Pay What You Can
Steve Koven is a composer, performer, producer, educator and film maker. In 1993 he established the Steve Koven Trio. Touring the world for more than two decades, they have been coined as ‘Canadian Cultural Ambassadors’. Aside from performing world wide with his trio, Steve also performs solo piano concerts throughout North America, Europe and the Caribbean. Dozens of Koven’s
compositions have been licensed for national and international film and television productions. As an educator, Steve has been teaching in the Faculty of Music at Toronto’ s York University since 2003, teaching Contemporary Improvisation and Jazz Piano Studies. In addition, Steve teaches in the Music Department at Centennial College in Toronto, He holds a Masters in Music Composition and has presented master classes and clinics throughout Canada, China, Japan, Colombia, Barbados, Bahamas, USA and Mexico. Steve is also the Education Co-ordinator of the Eleuthera International Jazz Festival on Eleuthera, Bahamas, and has presented a TEDx TALK at Queens University, Kingston, Ontario.
Koven is also an award winning film maker, receiving first price for his documentary, 20, in the 2015 Toronto Independent Film Festival and for his documentary, Improvisation in the 2018 Toronto Short Film Festival
The Denise Leslie Jazz Quartet
The Denise Leslie Jazz Quartet
March 28 @ 2:00 PM
Sean Nimmons-Paterson - Piano
Clark Johnston - Bass
Joel Haynes - Drums
Denise Leslie - Vocals
No Reservations
Pay What You Can
Energy, creative freedom and joy are words that describe the artistry of Jazz vocalist Denise Leslie. A gifted entertainer and storyteller, Denise transports audiences with her sumptuous vocals, and spirited live performances. This artist defines herself with her fresh arrangements and unique musical interpretations. With the release of her debut recording, One Fine Morning, Denise has become one of Canada’s emerging vocalists to watch.
Denise sings at the intersection of Jazz, R&B and Rock. Her debut recording, One Fine Morning pays tribute to music she cherished during her formative years, primarily, the 1970s. Produced by award-winning producer/guitarist Bob McAlpine, the album features celebrated bassist Pat Collins, drummer Paul DeLong, pianist Don Baird, and horn players from Brass Transit and Lighthouse.The successful release of ONE FINE MORNING is a major step in Denise’s musical career - almost 3 years in the making.
Denise enjoyed playing piano and singing in several choirs throughout her youth while her father - a devoted jazz fan, fostered a love of jazz music. She put her music aside for a number of years, but while enjoying success later in life as a sought-after Interior Designer, the mother of three felt a deep inner calling to rekindle her passion for singing - primarily, singing jazz music. This led to lessons, vocal workshops and more and more live performance opportunities.
Citing Jazz legends including Frank Sinatra, Ella Fitzgerald, Linda Ronstadt, Al Jarreau, Billie Holiday and George Benson as her greatest influences, Denise has a playful approach to Jazz believing the genre can sometimes take itself a little too seriously. “My focus is on melody, strong hooks and the fun that can be had with swinging and improvising the tune.”
Denise is now an in-demand featured vocalist in the Greater Toronto Area. She has graced stages across Ontario for the past 16 years while enjoying a five year residency as the lead vocalist with the Mississauga Big Band Jazz Ensemble. Denise has performed for audiences of thousands on mainstages including the Jack Singer Concert Hall (Calgary, AB), Mississauga’s Celebration Square and at the prestigious Living Arts Centre. Her unique vocal sound has drawn comparisons to iconic vocalists including Diana Krall, Annie Lennox, Linda Ronstadt and Julie London.
Denise’s creative spirit inspires audiences with its message of creative expression, freedom, confidence and fun!
Bogdan Gumenyuk
Bogdan Gumenyuk
March 28 @ 5:00 PM
Bogdan Gumenyuk - Saxophone
Band - TBA
No Reservations
Pay What You Can
Bogdan Gumenyuk is a Ukrainian musician, producer, composer, educator, and founder of the independent music label LabelWhoAble. He is a Fulbright Scholarship recipient and has won several international music competitions.
Throughout his career, Bogdan has collaborated with many renowned jazz musicians from Western Europe and North America, including Curtis Fuller, Benito Gonzalez, Café, Joel Holmes, Pierre Boussaguet, Sam Harris, Ameen Saleem, Xavier Davis, and Kevin Mahogany, among others.
Bogdan has recorded two albums of his own compositions: The Way I Hear, featuring John Swana, Louis Perdomo, Sandy Eldred and Mark Whitfield Jr and Love Letters to the Other Side, featuring Jim Doxas, Adrian Vedady, Lex French and Josh Rager.
He has performed and taught internationally in countries such as Ukraine, Germany, Poland, Latvia, Turkey, Canada, Greece, Serbia, and the United States.
Currently based in Montreal, Bogdan remains active in the music scene as a lead instrumentalist, sideman, and producer.
Eliana Cuevas Quintet
Eliana Cuevas Quintet
March 25, 26, 27, 28 @ 8:00pm
Eliana Cuevas - Vocals
Band - TBA
Through years of touring around the world, across Canada, and collaborating with Juno and Grammy Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colors in her compositional and lyrical palette.
Among her honors are the Canadian National Jazz Award for Latin Jazz Artist of the Year, two Toronto Independent Music Awards for Best World Music Artist, an Independent Music Award for Best Latin Album, and a World Solo Artist of the Year Award at the Canadian Folk Music Awards. Eliana has released 6 albums of original music to this date: Cohesión (2001), Ventura (2004) Vidas (2007), Espejo (2013), Golpes y Flores (2017), and most recently El Curruchá (2021).
On her most recent album, El Curruchá, featuring the legendary, late Aquiles Báez, Venezuelan-Canadian singer/songwriter Eliana Cuevas returned to her Latin American roots, offering up a nostalgic homage to the music she grew up listening to in her homeland of Venezuela. The result is a beautifully intimate performance, by turns playful and deeply emotional, featuring virtuosic guitar and vocal work.
Global Jazz - Maurice Gordon - Music of Harry Belafonte
Maurice Gordon
March 29 @ 2:00 PM
Maurice Gordon - Guitar
Band - TBA
No Reservations
Pay What You Can
Maurice Gordon is an accomplished musician with a versatile resume. The composer, educator, and guitarist earned his Bachelor of Arts Degree from York University, graduating with honors, and has since dedicated his time to sharing his knowledge with students and performing both nationally and internationally.
Gordon began playing in his teens on his father’s guitar and now plays bass and the keyboards as well. He is musically inspired by guitar greats like George Benson, Jimi Hendrix, Bob Marley, and Miles Davis. His Caribbean influences can be heard in his jazz renditions, offering a unique blend of sounds. He has performed at festivals internationally and with Canadian legends like Joe Sealy, Salome Bey, Liberty Silver, Shakura S’Aida, Brooke Blackburn, Fergus Hambleton, and more. He also contributed to Lazo’s Juno Award winning album, Heart and Soul.
With decades of experience in the music industry, Gordon heads many music workshops and programs. Some of his teaching credentials include instructing at the Toronto Board of Education’s Inner-City After-School Program at Bickford Collegiate and Essex Public School, teaching at Dixon Hall/Regent Park Community Centre, and instructing for over two decades as Head of the Guitar Department and as Senior Lecturer at the Jamaica School of Music.
Laura Hubert Band
Laura hubert Band
march 1, 15, 29 @ 5:00 PM
Laura Hubert - Vocals
Peter Hill - Piano
No Reservations
Pay What You Can
Canadian vocal treasure, born and raised in Toronto, Laura Hubert has remained a steady force on the city’s music scene over the past 25 years. Although she retired from rock and roll back per se when JUNO-winning indie-rock group Leslie Spit Treeo split up late last millennium, for several decades now she has been singing her soulful interpretations of vintage blues, jazz and Western swing all over the Greater Toronto Area. “I want to participate in the joy of the world, try to keep it light,” says Hubert. “Just trying to have some fun. Sing some songs. Make some music. Give some joy.”
Over the years she recorded 3 solo albums with her band, led by pianist Peter Hill and featuring some of Toronto’s finest including Chris Whiteley, Brandi Disterheft, Victor Bateman, William Sperandei: “Girlish Days” (2000), “Live at the Rex” (2001) and “Half Bridled” (2004).
In the years since these recordings, Hubert and her fans enjoyed residencies at venerable venues such as Grossman’s Tavern, The Cameron House and The Rex Hotel. Singing many of the same old classic songs over the years, like the finest of wine Hubert’s art has aged in the best way, her bluesy growl deeper and more powerful than ever.
“One Night in Kensington” is an initiative spearheaded by Order of Canada member, singer-songwriter and long-time friend of Hubert, is the new recording fans have long been waiting for. “Hubert’s unique and soulful vocal delivery can make any old song sound brand new,” says Molly Johnson.
Produced by Johnson and her Kensington Market Jazz Festival team, the new album live at Poetry Jazz Café find Hubert in the happy company of four very fine players: Eric St-Laurent on guitar, Davide DiRenzo on drums, Steve Wallace on bass and long-time musical partner Peter Hill on piano.
Ilana Waldston and The Jazz 'N' Laughs Band
Ilana Waldston and The Jazz 'N' Laughs Band
March 29 @ 8:00 PM
Ilana Waldston - Vocals
Rob Thaller - Piano
Pat Collins - Bass
Ilana Waldston is not merely a singer but also a consummate storyteller, bringing her extensive theatre training into the world of jazz music. Whether she’s breaking your heart with a beautiful ballad, moving you out of your seat with a swinging standard, or tickling your funny bone with the unusual comedic songs for which she’s best known, an evening with Ilana and the Jazz ‘n’ Laughs Band is a guaranteed good time.
Joining her at the Rex will be Rob Thaller on piano, and Pat Collins on bass… there may be some surprise guests as well!
“Ilana Waldston combines a smooth, rich voice with the lightness that comes from her natural wit, and then mixes it all in with some of the most fantastic unearthed gems of the Great American Songbook to create a highly entertaining experience. So much fun!”
- Heather Bambrick, Juno-nominated Jazz Vocalist and broadcaster
"Often humorous songs may be humorous, but don’t sound like real songs. These are the whole package! They’re now in the Radio Deluxe library, ready to be called upon. I also enjoyed your standards. It’s an all-around excellent album.” – Don McCulloch, Radio Deluxe
humber college Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
John Macleod's Rex Hotel Orchestra
John Macleod's Rex Hotel Orchestra
March 30 @ 8:00 PM
Led by John Macleod - Trumpet / Flugelhorn
20-piece Juno Award-winning Jazz Big Band
Canada’s Finest Big Band Jazz Ensemble
The life and career of John MacLeod is intricately bound to the history of jazz and big band music in Toronto. A native of this city, he took a very early interest in jazz and by the time he began studying the trumpet at age 12 was already an aficionado of New Orleans, Chicago and swing styles of the music. His earliest local hero was trumpeter "Trump" Davidson and by his early teens he was attending t.v. recording sessions where he would be amazed by studio greats such as Guido Basso, Moe Koffman and Teddy Roderman. A decade later, John would be playing with many of these early heros. In fact he would have professional involvement with every name listed in this release from Benny Louis to Ron Collier to Guido Basso. He even took his boyhood hero "Trump" Davidson's place in Trump's band. Few other musicians of his generation can claim as much direct connection to the entire history of jazz and big band music in Toronto. His long association with Rob McConnell and the Boss Brass would also have a profound effect on his approach to arranging and composing. While his writing may be uniquely his own, the sound of his band is unmistakably "Toronto".
Trombone Charlotte
Trombone Charlotte
March 31 @ 5:00 PM
Trombone Charlotte - Trombone / Vocals
Band - TBA
No Reservations
Pay What You Can
A force in the city’s jazz scene since 2016, Charlotte has spent nearly a decade crafting her sound as both a sideman and star. Since stepping into the spotlight in 2021, she’s led high-energy ensembles across Canada’s top stages — Toronto Jazz Festival, Kensington Market Jazz Festival, Port Hope, Mont Tremblant, and a knockout appearance at Massey Hall’s Women’s Blues Revue where she belted out originals that brought the house down.
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris banks
march 3, 10, 17, 24, 31 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
Lauren Falls Quintet
Lauren Falls Quintet
March 4, 5, 6, 7 @ 8:00 PM
David French - Tenor Saxophone
Todd Pentney - Piano
Trevor Giancola - Guitar
Trevor Falls - Drums
Lauren Falls - Bass
Lauren Falls is a sought-after bassist, composer, and bandleader who over the last decade has been making her mark both on the Toronto and New York jazz scenes. Ms. Falls has an undeniably strong command of the bass and is in demand both as a sidewoman and bandleader. As a composer and arranger, she creates music that is melodically enticing and harmonically entrancing. Her compositions stem from the jazz tradition with modern elements of rock, pop, and folk woven throughout. Her recent record release, “A Little Louder Now,” was nominated for a Juno Award.
Lauren has toured North America and Europe with performances at the Kennedy Center and at jazz festivals including The Mary Lous Williams Jazz Festival in Washington DC, Ottawa International Jazz Festival, and Toronto Jazz Festival to name a few. You will find her in Toronto at venues such as The Rex, The Jazz Bistro, Lula Lounge, and in New York at venues such as Dizzy’s Club Coca-Cola, Smalls, and 55 Bar. Recently Lauren performed as part of Jake Epstein’s Mirvish production “Boy Falls From The Sky,” which was nominated for Six Dora Awards.
In 2020, Ms. Falls was a finalist for the Toronto Arts Council Emerging Artist Award and has been the recipient of multiple Canada Council Grants. She has been an artist-in-residence at The Betty Carter Jazz Ahead program and The Ravinia Steans Institute. She holds a Master's Degree from the Manhattan School of Music and a Bachelor's Degree from Humber College. Lauren is currently on faculty at Humber College.
Lauren Falls Quintet
Lauren Falls Quintet
March 4, 5, 6, 7 @ 8:00 PM
David French - Tenor Saxophone
Todd Pentney - Piano
Trevor Giancola - Guitar
Trevor Falls - Drums
Lauren Falls - Bass
Lauren Falls is a sought-after bassist, composer, and bandleader who over the last decade has been making her mark both on the Toronto and New York jazz scenes. Ms. Falls has an undeniably strong command of the bass and is in demand both as a sidewoman and bandleader. As a composer and arranger, she creates music that is melodically enticing and harmonically entrancing. Her compositions stem from the jazz tradition with modern elements of rock, pop, and folk woven throughout. Her recent record release, “A Little Louder Now,” was nominated for a Juno Award.
Lauren has toured North America and Europe with performances at the Kennedy Center and at jazz festivals including The Mary Lous Williams Jazz Festival in Washington DC, Ottawa International Jazz Festival, and Toronto Jazz Festival to name a few. You will find her in Toronto at venues such as The Rex, The Jazz Bistro, Lula Lounge, and in New York at venues such as Dizzy’s Club Coca-Cola, Smalls, and 55 Bar. Recently Lauren performed as part of Jake Epstein’s Mirvish production “Boy Falls From The Sky,” which was nominated for Six Dora Awards.
In 2020, Ms. Falls was a finalist for the Toronto Arts Council Emerging Artist Award and has been the recipient of multiple Canada Council Grants. She has been an artist-in-residence at The Betty Carter Jazz Ahead program and The Ravinia Steans Institute. She holds a Master's Degree from the Manhattan School of Music and a Bachelor's Degree from Humber College. Lauren is currently on faculty at Humber College.
Lauren Falls Quintet
Lauren Falls Quintet
March 4, 5, 6, 7 @ 8:00 PM
David French - Tenor Saxophone
Todd Pentney - Piano
Trevor Giancola - Guitar
Trevor Falls - Drums
Lauren Falls - Bass
Lauren Falls is a sought-after bassist, composer, and bandleader who over the last decade has been making her mark both on the Toronto and New York jazz scenes. Ms. Falls has an undeniably strong command of the bass and is in demand both as a sidewoman and bandleader. As a composer and arranger, she creates music that is melodically enticing and harmonically entrancing. Her compositions stem from the jazz tradition with modern elements of rock, pop, and folk woven throughout. Her recent record release, “A Little Louder Now,” was nominated for a Juno Award.
Lauren has toured North America and Europe with performances at the Kennedy Center and at jazz festivals including The Mary Lous Williams Jazz Festival in Washington DC, Ottawa International Jazz Festival, and Toronto Jazz Festival to name a few. You will find her in Toronto at venues such as The Rex, The Jazz Bistro, Lula Lounge, and in New York at venues such as Dizzy’s Club Coca-Cola, Smalls, and 55 Bar. Recently Lauren performed as part of Jake Epstein’s Mirvish production “Boy Falls From The Sky,” which was nominated for Six Dora Awards.
In 2020, Ms. Falls was a finalist for the Toronto Arts Council Emerging Artist Award and has been the recipient of multiple Canada Council Grants. She has been an artist-in-residence at The Betty Carter Jazz Ahead program and The Ravinia Steans Institute. She holds a Master's Degree from the Manhattan School of Music and a Bachelor's Degree from Humber College. Lauren is currently on faculty at Humber College.
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris banks
march 3, 10, 17, 24, 31 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
Evan Miles
Evan Miles
March 3 @ 5:00 PM
Evan Miles - Piano
No Reservations
Pay What You Can
Evan Miles is a jazz pianist and composer born and raised in Winnipeg, Manitoba. He graduated with a bachelor’s degree in jazz studies from the University of Manitoba in 2023 and has been based in Toronto since September, 2024, where he is pursuing a master’s degree at the University of Toronto. Evan has led his own groups at various concerts in Winnipeg including the TD Winnipeg International Jazz Festival, the Fort Garry Hotel, Mardi Jazz, the Women’s Musical Club of Winnipeg, and Red Haus Live, as well as contributing as a composer, arranger, and performer for the Winnipeg Jazz Orchestra. In Toronto he has performed at venues such as The Rex, Drom Taberna, the Jazz Bistro, Sellers and Newell, Hirut, The Emmet Ray, and Poetry Jazz Café with a variety of musicians, most notably with Dave Young, Ernesto Cervini, Ethan Ardelli, Mike Downes, Morgan Childs, Allison Au, and Neil Swainson.
Roberto Occhipinti
Roberto Occhipinti
March 1 & 2 @ 8:00 PM
Roberto Occhipinti - Bass
Adrean Farrugia - Piano
Mike Murley - Saxophone
From NYC, Marcello Pellitteri - Drums
Roberto Occhipinti is diversity personified. He’s won awards and acclaim as a musician, composer and record producer. Throughout his career, the Toronto-born bassist has performed in classical orchestras, jazz ensembles, Latin groups, rhythm & blues outfits and rock bands. He has worked in theatre and opera, written for radio and television, played on film soundtracks and done more recording session jobs than he can remember. To call the hard-working musician versatile would be the height of understatement.
“I’ve always had very catholic tastes about my musical endeavors,” admits Occhipinti. “I don’t wait for the phone to ring. I’d rather make a call than hang around. I get involved with projects because I’m interested in doing lots of different things and you never know what they’re going to lead to.”
Occhipinti believes that his versatility is the direct result of his instrument. “The bass is the source of everything for me,” he says. “Unlike other instruments, it puts you in the centre of all sorts of situations. I play both double bass and electric bass, which creates a lot of opportunities. A guitar player can’t play in a symphony orchestra, for instance. I’m attracted to the social nature of music and the bass is the perfect instrument for that.”
From a young age, Occhipinti began straddling the worlds of jazz and classical music. His two earliest mentors, Joel Quarrington and Dave Young, represented that musical duality. Quarrington, a classical bassist with whom he grew up in the Toronto suburb of Don Mills, encouraged him to study with Peter Madgett and Thomas Monahan, while Young played bass with both orchestras and such jazz musicians as Oscar Peterson and Moe Koffman. “Dave was also doing studio work,” recalls Occhipinti, “basically all the kinds of things I wanted to do.”
After stints with the Winnipeg Symphony, the Hamilton Philharmonic and the Canadian Opera Company, Occhipinti fell under the spell of Latin music. Playing with Memo Acevedo’s Banda Brava led saxophonist Jane Bunnett to ask him to fill in for her bass player on a tour. Occhipinti wound up going to Cuba and playing on three of Bunnett’s albums, including the Juno Award-winning Ritmo and Soul and the Grammy-nominated Alma de Santiago. Through that association, he met Cuban-Canadian pianist Hilario Durán and produced three of Durán’s albums, including the Juno-winning New Danzon.
Throughout all of this, Occhipinti also worked in the field of contemporary music, acting as principal bassist with the Esprit Orchestra and as a longtime member of Arraymusic. At the same time, he wrote music for CBC radio dramas and scored the soundtrack for the animated hit children’s series George Shrinks, which earned him a SOCAN composer’s award.
But it has been on his own recordings that Occhipinti has best bridged his classical background with his deep love of jazz and world music. From his first album right up to last year’s A Bend in the River, he has forged a synthesis of symphonic strings, big-band horns with a rhythm section on a mix of original compositions and his interpretations of works by composers as varied as Giacomo Puccini, Thelonious Monk, Jimi Hendrix and Brazil’s Djavan. “I consider jazz to be the original world music,” says Occhipinti. “It’s an open platform—it can be whatever you want it to be.
Occhipinti’s talent and adventurous tastes have taken him as far afield as West Africa, where he appeared with the Mali Music project of Damon Albarn, frontman of British rockers Blur (he’d previously toured with Albarn’s experimental hip-hop act Gorillaz). Since 1990, he has played electric bass with Soul Stew, his six-piece funk and r&b band that includes some of Toronto’s most accomplished studio musicians.
Yet another of his undertakings has deep familial roots. Born of Sicilian heritage, Occhipinti introduced his guitarist brother Michael to field recordings made by ethnomusicologist Alan Lomax, when he visited Sicily in the 1950s. The result was The Sicilian Jazz Project, a CD of reinterpretation of that traditional folk music with arrangements by Michael and production by Roberto. Recently, after Roberto completed a tour with his own jazz quartet, the two brothers traveled to their parents’ hometown of Modica in Sicily to receive an award from the local government for their work. It was a “bittersweet” experience, says Roberto, “because our parents are no longer alive and they didn’t get to see Michael and I working together on this. But I’m very happy we did it.”
Next up for the busy bass player are new albums that he’s produced for Durán, Cuban drummer Dafnis Prieto and Quarrington, now one of the world’s top classical bassists. Not surprisingly, Occhipinti credits his instrument with giving him steady production work. “Bass players make good producers,” he says, “because their job is to tie into the larger picture and they wind up with a more holistic view of the music that they’re playing. Ultimately,” he adds, “it all comes back to playing the bass.”
University of Toronto Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
Roberto Occhipinti
Roberto Occhipinti
March 1 & 2 @ 8:00 PM
Roberto Occhipinti - Bass
Adrean Farrugia - Piano
Mike Murley - Saxophone
From NYC, Marcello Pellitteri - Drums
Roberto Occhipinti is diversity personified. He’s won awards and acclaim as a musician, composer and record producer. Throughout his career, the Toronto-born bassist has performed in classical orchestras, jazz ensembles, Latin groups, rhythm & blues outfits and rock bands. He has worked in theatre and opera, written for radio and television, played on film soundtracks and done more recording session jobs than he can remember. To call the hard-working musician versatile would be the height of understatement.
“I’ve always had very catholic tastes about my musical endeavors,” admits Occhipinti. “I don’t wait for the phone to ring. I’d rather make a call than hang around. I get involved with projects because I’m interested in doing lots of different things and you never know what they’re going to lead to.”
Occhipinti believes that his versatility is the direct result of his instrument. “The bass is the source of everything for me,” he says. “Unlike other instruments, it puts you in the centre of all sorts of situations. I play both double bass and electric bass, which creates a lot of opportunities. A guitar player can’t play in a symphony orchestra, for instance. I’m attracted to the social nature of music and the bass is the perfect instrument for that.”
From a young age, Occhipinti began straddling the worlds of jazz and classical music. His two earliest mentors, Joel Quarrington and Dave Young, represented that musical duality. Quarrington, a classical bassist with whom he grew up in the Toronto suburb of Don Mills, encouraged him to study with Peter Madgett and Thomas Monahan, while Young played bass with both orchestras and such jazz musicians as Oscar Peterson and Moe Koffman. “Dave was also doing studio work,” recalls Occhipinti, “basically all the kinds of things I wanted to do.”
After stints with the Winnipeg Symphony, the Hamilton Philharmonic and the Canadian Opera Company, Occhipinti fell under the spell of Latin music. Playing with Memo Acevedo’s Banda Brava led saxophonist Jane Bunnett to ask him to fill in for her bass player on a tour. Occhipinti wound up going to Cuba and playing on three of Bunnett’s albums, including the Juno Award-winning Ritmo and Soul and the Grammy-nominated Alma de Santiago. Through that association, he met Cuban-Canadian pianist Hilario Durán and produced three of Durán’s albums, including the Juno-winning New Danzon.
Throughout all of this, Occhipinti also worked in the field of contemporary music, acting as principal bassist with the Esprit Orchestra and as a longtime member of Arraymusic. At the same time, he wrote music for CBC radio dramas and scored the soundtrack for the animated hit children’s series George Shrinks, which earned him a SOCAN composer’s award.
But it has been on his own recordings that Occhipinti has best bridged his classical background with his deep love of jazz and world music. From his first album right up to last year’s A Bend in the River, he has forged a synthesis of symphonic strings, big-band horns with a rhythm section on a mix of original compositions and his interpretations of works by composers as varied as Giacomo Puccini, Thelonious Monk, Jimi Hendrix and Brazil’s Djavan. “I consider jazz to be the original world music,” says Occhipinti. “It’s an open platform—it can be whatever you want it to be.
Occhipinti’s talent and adventurous tastes have taken him as far afield as West Africa, where he appeared with the Mali Music project of Damon Albarn, frontman of British rockers Blur (he’d previously toured with Albarn’s experimental hip-hop act Gorillaz). Since 1990, he has played electric bass with Soul Stew, his six-piece funk and r&b band that includes some of Toronto’s most accomplished studio musicians.
Yet another of his undertakings has deep familial roots. Born of Sicilian heritage, Occhipinti introduced his guitarist brother Michael to field recordings made by ethnomusicologist Alan Lomax, when he visited Sicily in the 1950s. The result was The Sicilian Jazz Project, a CD of reinterpretation of that traditional folk music with arrangements by Michael and production by Roberto. Recently, after Roberto completed a tour with his own jazz quartet, the two brothers traveled to their parents’ hometown of Modica in Sicily to receive an award from the local government for their work. It was a “bittersweet” experience, says Roberto, “because our parents are no longer alive and they didn’t get to see Michael and I working together on this. But I’m very happy we did it.”
Next up for the busy bass player are new albums that he’s produced for Durán, Cuban drummer Dafnis Prieto and Quarrington, now one of the world’s top classical bassists. Not surprisingly, Occhipinti credits his instrument with giving him steady production work. “Bass players make good producers,” he says, “because their job is to tie into the larger picture and they wind up with a more holistic view of the music that they’re playing. Ultimately,” he adds, “it all comes back to playing the bass.”
Laura Hubert Band
Laura hubert Band
march 1, 15, 29 @ 5:00 PM
Laura Hubert - Vocals
Peter Hill - Piano
No Reservations
Pay What You Can
Canadian vocal treasure, born and raised in Toronto, Laura Hubert has remained a steady force on the city’s music scene over the past 25 years. Although she retired from rock and roll back per se when JUNO-winning indie-rock group Leslie Spit Treeo split up late last millennium, for several decades now she has been singing her soulful interpretations of vintage blues, jazz and Western swing all over the Greater Toronto Area. “I want to participate in the joy of the world, try to keep it light,” says Hubert. “Just trying to have some fun. Sing some songs. Make some music. Give some joy.”
Over the years she recorded 3 solo albums with her band, led by pianist Peter Hill and featuring some of Toronto’s finest including Chris Whiteley, Brandi Disterheft, Victor Bateman, William Sperandei: “Girlish Days” (2000), “Live at the Rex” (2001) and “Half Bridled” (2004).
In the years since these recordings, Hubert and her fans enjoyed residencies at venerable venues such as Grossman’s Tavern, The Cameron House and The Rex Hotel. Singing many of the same old classic songs over the years, like the finest of wine Hubert’s art has aged in the best way, her bluesy growl deeper and more powerful than ever.
“One Night in Kensington” is an initiative spearheaded by Order of Canada member, singer-songwriter and long-time friend of Hubert, is the new recording fans have long been waiting for. “Hubert’s unique and soulful vocal delivery can make any old song sound brand new,” says Molly Johnson.
Produced by Johnson and her Kensington Market Jazz Festival team, the new album live at Poetry Jazz Café find Hubert in the happy company of four very fine players: Eric St-Laurent on guitar, Davide DiRenzo on drums, Steve Wallace on bass and long-time musical partner Peter Hill on piano.
Teri Parker : Annex Academy Rock Band Extravaganza!
Teri Parker : Annex Academy Rock Band Extravaganza!
March 1st @ 11 AM
Are you ready to be blown away by some rocking performances? Our talented students have been practicing tirelessly to put on a show that you won't forget! Get ready to groove to some electrifying tunes and witness the next generation of rock stars in action.
Waleed Abdulhamid
Waleed Abdulhamid
February 28 @ 11:00 PM
Led by:
Waleed Abdulhamid - Bass Vocals
Band - TBA
No Reservations
Pay What You Can
Waleed Abdulhamid is a Canadian Multi-instrumentalist; Composer; Vocalist; Music and Film Producer, and is known for his striking vocals, innovative bass technique, and his speed and precision on percussion. He has been an active member of the Toronto music scene since his arrival from Sudan in 1992, and is the recipient of the Canadian New Pioneer Award; African Tama Award; Reel World Film Festival Award; Canadian Film Board of Excellence Award; Two times DORA Award; other international awards. He demonstrates his versatility playing 20 instruments: guitar; bass; drums; flute; harmonica; kirin; bass kirin; darabhuka; marimba; balimbo; congas; bongos; djembe; dumbek; aghera; tambour; cajun; denger; ekaa; tama. Waleed has played and recorded with a large number of well-known artists including David Clayton Thomas of the Grammy Award winning band Blood, Sweat & Tears, and with the Motown legend, The Drifters. However, Waleed is most proud of his role as a mentor to many acclaimed artists such as D’bi Young, Ngozi Paul, and Zaki Ibrahim to name a few. Waleed has also been the subject of study for many researchers and PhD candidates seeking to understand the workings of the virtuoso mind. Waleed is also a Professor and faculty member of the Music Degree Program at Humber College.
Michael Occhipinti's Shine on : The Universe of John Lennon
Michael Occhipinti's Shine on : The Universe of John Lennon
February 25, 26, 27, 28 @ 8:00pm
Elizabeth Shepherd - Piano / Vocals
Yvette Tollar - Vocals
Mark Kelso - Drums / Vocals
Tyler Emond - Bass
Kevin Turcotte - Trumpet
Michael Occhipinti - Guitar / Vocals
Shine On: the Universe of John Lennon is a super group bringing some of Canda’s most acclaimed musicians together to perform music by John Lennon and the Beatles. Uniquely arranged by guitarist Michael Occhipinti, the all-star lineup collectively boasts over 20 JUNO Award nominations, and includes the unique voices of Elizabeth Shepherd, Yvette Tollar, and singer/drummer Mark Kelso, joined by Tyler Emond (bass), Kevin Turcotte (trumpet), and Michael Occhipinti (guitar/
vocals).
Named as a best of they year album by the radio hosts at Jazz FM, The Universe of John Lennon was released in 2012, and and the band have since appeared at festivals and venues from St. John’s to Victoria to New York. Michael Occhipinti is no stranger to reinventing popular music, having received JUNO nominations for his albums Creation Dream - The Songs of Bruce Cockburn, The Sicilian Jazz Project, and (as ES:MO with Elizabeth Shepherd) The Weight of Hope celebrating a variety of singer-songwriters from Stevie Wonder to Gordon Lightfoot.
With John Lennon’s music so deeply engrained in our cultural fabric, Occhipinti took a huge risk re-imagining songs that are so familiar. Michael, however, felt that too many artists miss the opportunity to do something new with Lennon’s material.
“Our familiarity with Lennon and the Beatles is kind of liberating from an arranger’s point of view. It allows us to alter the songs in imaginative ways that make them new for the audience, but at the same time they still recognize the songs and feel the emotions Lennon wove into the music” he explains. “For me it’s never been about recreating songs the way so many tribute bands do, but rather trying be creative and personal, while still expressing an honest admiration for John Lennon’s music”
That sentiment is beautifully expressed throughout the album. From the inventive takes on “I Am The Walrus” and “Working Class Hero” featuring Elizabeth Shepherd’s cool vocals, to Yvette Tollar’s surprising version of “I’m Only Sleeping.” Michael Occhipinti’s creative palette of guitar sounds wind throughout the project so that The Universe of John Lennon makes the familiar into something new. Tracing an arc from Lennon’s best work from Beatles’s albums such as Revolver and Rubber Soul to his last solo work, Shine On is a genre-crossing group that is a tribute like no other.
Alan Zemaitis / Lowell Whitty Duo
Alan Zemaitis / Lowell Whitty Duo
February 28 @ 5:00 PM
Alan Zemaitis - Organ
Lowell Whitty - Drums
With special guest Stuart Brignell on Alto Sax!
No Reservations
Pay What You Can
The SB Organ trio is a funky, soulful and high energy trio from Toronto, playing only the best tunes from the extensive canon of Organ jazz. Pulling repertoire from the greats of this genre such as Jimmy Smith, Booker T, Maceo Parker, Jimmy McGriff and Dr. Lonnie Smith, this electrifying trio never fails to ignite, energize and uplift the souls of all who are lucky enough to hear them. The group is led by rising Canadian saxophonist, Stuart Brignell, and features in demand players Alan Zemaitis (organ) and Lowell Whitty (drums).
George Lake BIG Band
George Lake BIG Band
February 28 @ 2:00 PM
Led by - Steve Pettafor
Vocals - Vincent Wolfe & Diya Tirone
No Reservations
Pay What You Can
Since 1997 The 20-piece George Lake BIG Band has been performing for audiences around the GTA and beyond. Regulars on the festival, dance and jazz venue scene, the band’s repertoire includes the timeless hits of the big band era. Music from Miller, Dorsey, Ellington, Basie and Herman has always been the core of the band’s repertoire but the band has always moved with the times.
We’re pleased that we have two young singers with us this month. John Amato brings his take on classic and modern jazz standards, swinging and singing in the likes of Frank Sinatra, Mel Torme and Michael Buble. Young Diya Tirone brings her vocal talents to wide range of music. Her performance ranges from Ella Fitzgerald, Doris Day and June Christy to Nancy Wilson, Linda Ronstadt and Allicia Keys. Not to be missed are John and Diya’s vocal duets.
Under direction of band leader Steve Pettafor, the George Lake BIG Band is pleased to return to The Rex where the focus is always on great music.
Jacob Gorzhaltsan Quartet
Jacob Gorzhaltsan quartet
february 27 @ 11:00 pm
Jacob Gorzhaltsan - Woodwinds
Noam Lemish - Piano
Bret Higgins - Bass
Eric West - Drums
No Reservations
Pay What You Can
Jacob Gorzhaltsan is a Juno-nominated multi-instrumentalist, composer, and singer-songwriter/producer based in Toronto, Ontario. Born in Jerusalem, Israel to parents who are both visual artists, Jacob moved to Canada and (with his parent's encouragement) began studying music shortly afterwards. Early on in his musical pursuits, Jacob was fortunate to attend a workshop and play with his jazz clarinet-hero, the legendary Buddy DeFranco. This moment continues to serve as a huge musical inspiration for Jacob. Subsequently, he joined the student jazz band, Toronto All-Star Big Band, further developing his love for performance and delving deeper into the jazz tradition. During his tenure with TABB, Jacob was fortunate to get the opportunity to perform with Peter Appleyard and Doc Severinson. He studied privately with a plethora of local Toronto musicians, and enjoyed four years at Humber College's B.A. of Music program. While at Humber, Jacob was honoured to share the stage with special resident-guests like Donny McCaslin, John Scofield, Jack DeJohnette, Bill Dobbins, Joe Lovano, Will Kennedy, The New York Voices, and Larry Goldings.
He now performs and records professionally as a sideman with numerous groups in Toronto, and leads several bands of his own (Wide Arches, The Jellyfish, JG Quartet). Throughout his career, Jacob has played in countless venues and theatres across Canada and the United States. He has had the pleasure of being a part of an incredible cast and crew for concert productions/recordings with Soulpepper Theatre Company (Promised Land: Steinbeck Through Song, A Moveable Feast: Paris in the '20s, The Secret Chord: A Leonard Cohen Experience, The 27 Club, Prohibition: The Concert, Manhattan Concert Cycle: Melting Pot, Harlem, 42nd Street and Broadway, Detroit: Music of Motor City, On A Night Like This). He is honoured to have shared the stage with Jackie Richardson, Denzal Sinclaire, Kevin Breit, Stephane Wrembel, Noam Lemish and Amos Hoffman Quartet, Alex Bird and the Jazz Mavericks, Pedram Khavarzamini, Kalyna Rakel, The Israeli-Iranian Music Initiative, Heavyweights Brass Band, Holla Jazz Collective, Travis Knights, Mike Ross, Divine Brown, Denielle Bassels, Big Rude Jake, among many other talented and inspiring artists.
In 2021, Jacob was awarded a Toronto Arts Council grant to record a full-length album of original material. He released the record, "Farewell to All the Lovely Things", with his indie-folk band Wide Arches on September 12th, 2023. The album has been garnering much attention, receiving warm reviews from critics and charting nine times on Canadian college-radio (CFBX, CJSF, CICK, CJAM, CFRC) including three top 10 appearances.
Jacob can be seen and heard regularly playing at venues all around Toronto and the surrounding-area. In addition to performing extensively, Jacob is an active producer/recording-mixing engineer. His independent record label, Parpar Records, recently released a new EP by local band, Yosl and the Yingels. On Dec 1st, 2025, Jacob's improv-trio, The Jellyfish, released their debut full-length album. In addition to performing and recording, Jacob is an active music educator, and privately teaches woodwinds, improvisation, and music theory.
Michael Occhipinti's Shine on : The Universe of John Lennon
Michael Occhipinti's Shine on : The Universe of John Lennon
February 25, 26, 27, 28 @ 8:00pm
Elizabeth Shepherd - Piano / Vocals
Yvette Tollar - Vocals
Mark Kelso - Drums / Vocals
Tyler Emond - Bass
Kevin Turcotte - Trumpet
Michael Occhipinti - Guitar / Vocals
Shine On: the Universe of John Lennon is a super group bringing some of Canda’s most acclaimed musicians together to perform music by John Lennon and the Beatles. Uniquely arranged by guitarist Michael Occhipinti, the all-star lineup collectively boasts over 20 JUNO Award nominations, and includes the unique voices of Elizabeth Shepherd, Yvette Tollar, and singer/drummer Mark Kelso, joined by Tyler Emond (bass), Kevin Turcotte (trumpet), and Michael Occhipinti (guitar/
vocals).
Named as a best of they year album by the radio hosts at Jazz FM, The Universe of John Lennon was released in 2012, and and the band have since appeared at festivals and venues from St. John’s to Victoria to New York. Michael Occhipinti is no stranger to reinventing popular music, having received JUNO nominations for his albums Creation Dream - The Songs of Bruce Cockburn, The Sicilian Jazz Project, and (as ES:MO with Elizabeth Shepherd) The Weight of Hope celebrating a variety of singer-songwriters from Stevie Wonder to Gordon Lightfoot.
With John Lennon’s music so deeply engrained in our cultural fabric, Occhipinti took a huge risk re-imagining songs that are so familiar. Michael, however, felt that too many artists miss the opportunity to do something new with Lennon’s material.
“Our familiarity with Lennon and the Beatles is kind of liberating from an arranger’s point of view. It allows us to alter the songs in imaginative ways that make them new for the audience, but at the same time they still recognize the songs and feel the emotions Lennon wove into the music” he explains. “For me it’s never been about recreating songs the way so many tribute bands do, but rather trying be creative and personal, while still expressing an honest admiration for John Lennon’s music”
That sentiment is beautifully expressed throughout the album. From the inventive takes on “I Am The Walrus” and “Working Class Hero” featuring Elizabeth Shepherd’s cool vocals, to Yvette Tollar’s surprising version of “I’m Only Sleeping.” Michael Occhipinti’s creative palette of guitar sounds wind throughout the project so that The Universe of John Lennon makes the familiar into something new. Tracing an arc from Lennon’s best work from Beatles’s albums such as Revolver and Rubber Soul to his last solo work, Shine On is a genre-crossing group that is a tribute like no other.
Karl Silveira Monktet
Karl Silveira Monktet
February 27 @ 5:00 PM
Karl Silveira - Trombone
Michael Davidson - Vibraphone
Dan Fortin - Bass
Nico Dann - Drums
No Reservations
Pay What You Can
Karl Silveira is an award winning Jazz trombonist, composer, arranger and educator from Toronto, Canada. He completed a Master of Music in Jazz Performance and Composition from the University of Toronto in 2019. He plays in many great Toronto musical projects including the Hilario Duran Big Band and The Rex Hotel Jazz Orchestra. His own quintet has played multiple festivals and was recently awarded Artist of the Year by the TU Jazz Festival in 2025. His debut album “A Porta Aperta” is available on all streaming platforms.
Karl is proud to be a Yamaha Trombone Artist
Michael Occhipinti's Shine on : The Universe of John Lennon
Michael Occhipinti's Shine on : The Universe of John Lennon
February 25, 26, 27, 28 @ 8:00pm
Elizabeth Shepherd - Piano / Vocals
Yvette Tollar - Vocals
Mark Kelso - Drums / Vocals
Tyler Emond - Bass
Kevin Turcotte - Trumpet
Michael Occhipinti - Guitar / Vocals
Shine On: the Universe of John Lennon is a super group bringing some of Canda’s most acclaimed musicians together to perform music by John Lennon and the Beatles. Uniquely arranged by guitarist Michael Occhipinti, the all-star lineup collectively boasts over 20 JUNO Award nominations, and includes the unique voices of Elizabeth Shepherd, Yvette Tollar, and singer/drummer Mark Kelso, joined by Tyler Emond (bass), Kevin Turcotte (trumpet), and Michael Occhipinti (guitar/
vocals).
Named as a best of they year album by the radio hosts at Jazz FM, The Universe of John Lennon was released in 2012, and and the band have since appeared at festivals and venues from St. John’s to Victoria to New York. Michael Occhipinti is no stranger to reinventing popular music, having received JUNO nominations for his albums Creation Dream - The Songs of Bruce Cockburn, The Sicilian Jazz Project, and (as ES:MO with Elizabeth Shepherd) The Weight of Hope celebrating a variety of singer-songwriters from Stevie Wonder to Gordon Lightfoot.
With John Lennon’s music so deeply engrained in our cultural fabric, Occhipinti took a huge risk re-imagining songs that are so familiar. Michael, however, felt that too many artists miss the opportunity to do something new with Lennon’s material.
“Our familiarity with Lennon and the Beatles is kind of liberating from an arranger’s point of view. It allows us to alter the songs in imaginative ways that make them new for the audience, but at the same time they still recognize the songs and feel the emotions Lennon wove into the music” he explains. “For me it’s never been about recreating songs the way so many tribute bands do, but rather trying be creative and personal, while still expressing an honest admiration for John Lennon’s music”
That sentiment is beautifully expressed throughout the album. From the inventive takes on “I Am The Walrus” and “Working Class Hero” featuring Elizabeth Shepherd’s cool vocals, to Yvette Tollar’s surprising version of “I’m Only Sleeping.” Michael Occhipinti’s creative palette of guitar sounds wind throughout the project so that The Universe of John Lennon makes the familiar into something new. Tracing an arc from Lennon’s best work from Beatles’s albums such as Revolver and Rubber Soul to his last solo work, Shine On is a genre-crossing group that is a tribute like no other.
West End Riverboat Band
West End Riverboat Band
February 26 @ 5:00 PM
Chris Adriaanse - Bass
John David Williams - Clarinet
Ben Lee - Banjo
No Reservations
Pay What You Can
The West End Riverboat Band is a musical paradox, combining the musicianship and roots of traditional New Orleans jazz with the vivaciousness and raw energy of a contemporary rock band.
Michael Occhipinti's Shine on : The Universe of John Lennon
Michael Occhipinti's Shine on : The Universe of John Lennon
February 25, 26, 27, 28 @ 8:00pm
Elizabeth Shepherd - Piano / Vocals
Yvette Tollar - Vocals
Mark Kelso - Drums / Vocals
Tyler Emond - Bass
Kevin Turcotte - Trumpet
Michael Occhipinti - Guitar / Vocals
Shine On: the Universe of John Lennon is a super group bringing some of Canda’s most acclaimed musicians together to perform music by John Lennon and the Beatles. Uniquely arranged by guitarist Michael Occhipinti, the all-star lineup collectively boasts over 20 JUNO Award nominations, and includes the unique voices of Elizabeth Shepherd, Yvette Tollar, and singer/drummer Mark Kelso, joined by Tyler Emond (bass), Kevin Turcotte (trumpet), and Michael Occhipinti (guitar/
vocals).
Named as a best of they year album by the radio hosts at Jazz FM, The Universe of John Lennon was released in 2012, and and the band have since appeared at festivals and venues from St. John’s to Victoria to New York. Michael Occhipinti is no stranger to reinventing popular music, having received JUNO nominations for his albums Creation Dream - The Songs of Bruce Cockburn, The Sicilian Jazz Project, and (as ES:MO with Elizabeth Shepherd) The Weight of Hope celebrating a variety of singer-songwriters from Stevie Wonder to Gordon Lightfoot.
With John Lennon’s music so deeply engrained in our cultural fabric, Occhipinti took a huge risk re-imagining songs that are so familiar. Michael, however, felt that too many artists miss the opportunity to do something new with Lennon’s material.
“Our familiarity with Lennon and the Beatles is kind of liberating from an arranger’s point of view. It allows us to alter the songs in imaginative ways that make them new for the audience, but at the same time they still recognize the songs and feel the emotions Lennon wove into the music” he explains. “For me it’s never been about recreating songs the way so many tribute bands do, but rather trying be creative and personal, while still expressing an honest admiration for John Lennon’s music”
That sentiment is beautifully expressed throughout the album. From the inventive takes on “I Am The Walrus” and “Working Class Hero” featuring Elizabeth Shepherd’s cool vocals, to Yvette Tollar’s surprising version of “I’m Only Sleeping.” Michael Occhipinti’s creative palette of guitar sounds wind throughout the project so that The Universe of John Lennon makes the familiar into something new. Tracing an arc from Lennon’s best work from Beatles’s albums such as Revolver and Rubber Soul to his last solo work, Shine On is a genre-crossing group that is a tribute like no other.
Emily Steinwall
Emily Steinwall
February 25 @ 5:00 PM
Emily Steinwall - Vocals/Sax and Keys.
Jeremiah pick - Guitar
Jackson Steinwall - Bass
Andrew McCarthy - Drums
No Reservations
Pay What You Can
Emily Steinwall is a multi-instrumentalist and songwriter born and based in Toronto, Canada.
Steinwall’s roots in Toronto’s music scene run deep; her grandparents and parents were all active members of the local live music scene. This organically grew into a full-time career as a gigging musician for local and touring acts.
Her self-produced and independently released debut album as a solo artist, “Welcome to the Garden”, was the recipient of the 2022 SOCAN songwriters prize. Once described as “A Disney Princess on Acid” , this ambitious album blends psychedelic rock, theatrics and extended saxophone solos.
Steinwall is currently finishing her second studio album, entitled “But, there is Beauty in the Fall from Grace” , which will be released in early 2026.
CLASSIC REX JAZZ JAM
Classic REx jam
hosted by chris banks
February 3, 10, 17, 24 @8:00pm
NO RESERVATIONS
$10 Cover Charge
Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!
Hosted by the legendary Chris Banks.
The Shortcake Trio
The Shortcake Trio
February 24 @ 5:00 PM
Serena Maddalena - Upright Bass / Vocals
Mateo Mancuso - Piano
Nate Ward - Drums
No Reservations
Pay What You Can
Serena and Mateo met Nate while they were children attending the Community Music School Led by Cathy Mitro. Through their love for traditional jazz, and Serena's recent love for songwriting and folk music, they have created a wonderfully sweet trio filled with intuition, musical gentleness and fun! They hope you join them for an evening of original folk and arranged jazz music.
John MacLeod's Rex Hotel Orchestra
John MacLeod's Rex Hotel Orchestra
february 23 @ 8:00 PM
Led by: John Macleod - Trumpet / Flugelhorn
The life and career of John MacLeod is intricately bound to the history of jazz and big band music in Toronto. A native of this city, he took a very early interest in jazz and by the time he began studying the trumpet at age 12 was already an aficionado of New Orleans, Chicago and swing styles of the music. His earliest local hero was trumpeter "Trump" Davidson and by his early teens he was attending t.v. recording sessions where he would be amazed by studio greats such as Guido Basso, Moe Koffman and Teddy Roderman. A decade later, John would be playing with many of these early heros. In fact he would have professional involvement with every name listed in this release from Benny Louis to Ron Collier to Guido Basso. He even took his boyhood hero "Trump" Davidson's place in Trump's band. Few other musicians of his generation can claim as much direct connection to the entire history of jazz and big band music in Toronto. His long association with Rob McConnell and the Boss Brass would also have a profound effect on his approach to arranging and composing. While his writing may be uniquely his own, the sound of his band is unmistakably "Toronto".
humber college Student Jazz ENSEMBLES
Enjoy the sounds of the talented student jazz ensembles from the University of Toronto Faculty of Music!
2 Jazz Combos
Set 1: 5:30 – 6:15
Set 2: 6:30 – 7:15
A Tribute to Thelonious Monk
A tribute to thelonious monk
February 22 @ 8:00 PM
Ewen Farncombe - Piano
Josh Goldman - Bass
Morgan Childs - Drums
Mark Hundevad -Vibes
Ewen Farncombe is a multi Juno nominated pianist and composer based out of Toronto and has been a professional on the scene there for over a decade. Having played on various recordings and with numerous artists, he has earned his reputation as a highly skilled musician. While he was attending Humber College for a degree in music performance, he received several prestigious awards, including the Hnatyshyn Foundation Oscar Peterson award and the Downbeat Jazz Soloist award in the Undergraduate category. While jazz is Ewen’s passion, he is a versatile player and is known to play many genres of music with many decorated artists.
The Danny Marks Combo
The Danny Marks Combo
February 22 @ 5:00 PM
Danny Marks - Vocals & Guitar
Bass - TBA
Drums - TBA
No Reservations
Pay What You Can
Danny Marks is a Toronto-born musician and broadcaster with a lifelong passion for music. Starting guitar at 11, he immersed himself in the local scene, eventually co-founding Edward Bear, which opened for legends like Led Zeppelin, The Byrds, and Humble Pie. Marks has collaborated with
icons like Rick James, Bo Diddley, and Rita Coolidge, and hosted radio shows including CBC Radio's Hum Line and JAZZ FM91's BLUZ FM (since 1997). His critically acclaimed albums include Guitarchaeology (1996), Big Town Boy (2004), A Friend in the Blues (2007), and Cities in Blues (2013), earning awards in Canada and Europe. A "Blues with a Feeling" lifetime achievement award recipient (2006), Marks continues to perform and record, celebrating blues legacy. Recent singles "Man on the Radio" and "I'm Ready" showcase his artistic evolution. His new release, "One Way Ticket Home b/w Please Mister Conductor," is a two-sided smash. With his guitar work and engaging personality, Marks remains a significant figure in Canadian music.